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Performing Ornaments in English Harpsichord Music. Part I
14 references·0 citing·26 second hop
Performing Ornaments in English Harpsichord Music. Part I (2021)Performing Ornaments in English Harpsicho…Performing Ornaments in English Virginal and Harpsichord Music (Based on the Study of Original Interpretation Instructions) (2020)Performing Ornaments in Engli…Catalogue of Manuscript Music in the British Museum (2007)Catalogue of Manuscript Music…The Dublin Virginal Manuscript: new perspectives on virginalist ornamentation (2002)The Dublin Virginal Manuscrip…Rappresentatione di Anima, et di Corpo (2002)Rappresentatione di Anima, et…A choice collection of lessons for the harpsichord or spinnet (1978)A choice collection of lesson…The Interpretation of Early Music (1977)The Interpretation of Early M…The History of Keyboard Music to 1700 (1974)The History of Keyboard Music…Rappresentatione di anima, et di corpo (1967)Rappresentatione di anima, et…An introduction to the skill of musick (1966)An introduction to the skill …The Interpretation of Early Music (1965)The Interpretation of Early M…‘THE INTERPRETATION OF EARLY MUSIC’ (1964)‘THE INTERPRETATION OF EARLY …Praecepta der musicalischen Composition (1955)Praecepta der musicalischen C…Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopadie der Musik (1950)Die Musik in Geschichte und G…Die Ornamentik der Musik (1908)Die Ornamentik der MusikArt music from 1800 to 1860 (1998)Tonal organization in seventeenth-century music theory (2002)A Survey of Sight-Singing Instructional Practices in Florida Middle-School Choral Programs (2007)Byrd's Motets: Chronology and Canon (1961)British Museum Add. Mss. 17802–5 (The Gyffard Part-Books): An Index and Commentary (1969)Notre Dame'S new clothes (2014)The Performance of Beethoven's Trills (1976)“L’Ornement mystérieux” and Mark Kroll’s revision of the French baroque performance practice (2018)Zum Verhältnis von akademischer Musikforschung und zeitgenössischer Musik in Deutschland zwischen dem Ende des Ersten Weltkriegs und den frühen 1960er Jahren (2000)Musical constructions of nationalism: a comparative study of Bartók and Stravinsky (2004)Four Voices, One Canon? (2009)Historical performance and the modern performer (2002)Roots of Music Learning Theory and Audiation (2011)The Notation Is Not the Music: Reflections on Early Music Practice and Performance (2013)Michelangelo Rossi and His Toccate "e Correnti" (1983)Immaculate Sounds (2023)Instrumental performance in the nineteenth century (2012)The performer and the composer (2012)Vocal performance in the nineteenth century (2012)Variety in Performance: A comparative Analysis of Recorded Performances of Bach's Sixth Suite for Solo Cello from 1961 to 1998 (2011)Music in Profile (2023)Translating musical meaning (2023)Vibrato und Portamento (2023)The Organ Music of J. S. Bach (1984)Music and rhetoric (2002)Gjerdingen’s Schemata Reexamined (2018)
this work references cited by second hop

References

  • 1964‘THE INTERPRETATION OF EARLY MUSIC’133 cited
  • 1977The Interpretation of Early Music85 cited
  • 1955Praecepta der musicalischen Composition79 cited
  • 1966An introduction to the skill of musick61 cited
  • 2002The Dublin Virginal Manuscript: new perspectives on virginalist ornamentation36 cited
  • 2007Catalogue of Manuscript Music in the British Museum22 cited
  • 1965The Interpretation of Early Music19 cited
  • 1974The History of Keyboard Music to 170018 cited
  • 1950Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopadie der Musik16 cited
  • 1908Die Ornamentik der Musik12 cited
  • 1978A choice collection of lessons for the harpsichord or spinnet5 cited
  • 2002Rappresentatione di Anima, et di Corpo5 cited
  • 1967Rappresentatione di anima, et di corpo4 cited
  • 2020Performing Ornaments in English Virginal and Harpsichord Music (Based on the Study of Original Interpretation Instructions)3 cited

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