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Removal of a Past Varnish Treatment from a 19th-Century Belgian Wall Painting by Means of a Solvent-Loaded Double Network Hydrogel

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References

2013Conservation of Easel Paintings185 cited
2016The drying of linseed oil investigated by Fourier transform infrared spectroscopy: Historical recipes and influence of lead compounds134 cited
2013Effect of photodegradation on the identification of natural varnishes by FT-IR spectroscopy97 cited
2010A new family of high viscosity polymeric dispersions for cleaning easel paintings67 cited
2016Revealing the Nature and Distribution of Metal Carboxylates in Jackson Pollock’s Alchemy (1947) by Micro-Attenuated Total Reflection FT-IR Spectroscopic Imaging66 cited
2008A new class of gels for the conservation of painted surfaces63 cited
2016The Green Attitude in Art Conservation: Polyhydroxybutyrate–based Gels for the Cleaning of Oil Paintings43 cited
1982Fluorescence of paint and varnish layers (Part 1)42 cited
1990A PHYSICAL MODEL OF THE CLEANING OF OIL PAINT38 cited
2019Evaluation of polyvinyl alcohol–borax/agarose (PVA–B/AG) blend hydrogels for removal of deteriorated consolidants from ancient Egyptian wall paintings38 cited
2020Twin-chain polymer networks loaded with nanostructured fluids for the selective removal of a non-original varnish from Picasso’s “L’Atelier” at the Peggy Guggenheim Collection, Venice38 cited
2015Technical analysis of a Central Asian wall painting detached from a Buddhist cave temple on the northern Silk Road37 cited
2021Soot removal from ancient Egyptian complex painted surfaces using a double network gel: empirical tests on the ceiling of the sanctuary of Osiris in the temple of Seti I—Abydos

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