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Dyes of a Shadow Theatre: Investigating Tholu Bommalu Indian Puppets through a Highly Sensitive Multi-Spectroscopic Approach
16 references·1 citing·29 second hop
Dyes of a Shadow Theatre: Investigating Tholu Bommalu Indian Puppets through a Highly Sensitive Multi-Spectroscopic Approach (2021)Dyes of a Shadow Theatre: Investigating T…Van Gogh’s Irises and Roses: the contribution of chemical analyses and imaging to the assessment of color changes in the red lake pigments (2017)Van Gogh’s Irises and Roses: …Surface‐enhanced Raman spectroscopy in art and archaeology (2015)Surface‐enhanced Raman spectr…FORS Spectral Database of Historical Pigments in Different Binders (2014)FORS Spectral Database of His…Combining SERS and microspectrofluorimetry with historically accurate reconstructions for the characterization of lac dye paints in medieval manuscript illuminations (2014)Combining SERS and microspect…Characterisation of colourants on illuminated manuscripts by portable fibre optic UV-visible-NIR reflectance spectrophotometry (2014)Characterisation of colourant…A systematic analysis of red lake pigments in French Impressionist and Post‐Impressionist paintings by surface‐enhanced Raman spectroscopy (SERS) (2014)A systematic analysis of red …SERS detection of red organic dyes in Ag‐agar gel (2012)SERS detection of red organic…Nondestructive Identification of Natural and Synthetic Organic Colorants in Works of Art by Surface Enhanced Raman Scattering (2011)Nondestructive Identification…Library of UV–Vis–NIR reflectance spectra of modern organic dyes from historic pattern-card coloured papers (2011)Library of UV–Vis–NIR reflect…Historical organic dyes: a surface‐enhanced Raman scattering (SERS) spectral database on Ag Lee–Meisel colloids aggregated by NaClO4 (2011)Historical organic dyes: a su…A detachable SERS active cellulose film: a minimally invasive approach to the study of painting lakes (2011)A detachable SERS active cell…Surface‐enhanced Raman spectroscopy (SERS) on silver colloids for the identification of ancient textile dyes: Tyrian purple and madder (2009)Surface‐enhanced Raman spectr…Microanalysis of organic pigments and glazes in polychrome works of art by surface-enhanced resonance Raman scattering (2009)Microanalysis of organic pigm…Non-Invasive Identification of White Pigments on 20Th-Century Oil Paintings by Using Fiber Optic Reflectance Spectroscopy (2007)Non-Invasive Identification o…An innovative surface‐enhanced Raman spectroscopy (SERS) method for the identification of six historical red lakes and dyestuffs (2006)An innovative surface‐enhance…Application of surface-enhanced Raman scattering (SERS) for the identification of anthraquinone dyes used in works of art (2005)Application of surface-enhanc…The 20th century and its new colours: Investigating the molecular structures of historical synthetic dyes using Raman spectroscopy (2023)The 20th century and its new …Mappae Clavicula: A Little Key to the World of Medieval Techniques (1974)Identification of Organic Colorants in Fibers, Paints, and Glazes by Surface Enhanced Raman Spectroscopy (2010)Organic dyes in illuminated manuscripts: a unique cultural and historic record (2016)The identification of lac as a pigment in ancient Greek polychromy - The case of a Hellenistic oinochoe from Canosa di Puglia (2017)Microspectrofluorimetry and chemometrics for the identification of medieval lake pigments (2018)Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Synthetic organic pigments of the 20th and 21st century relevant to artist's paints: Raman spectra reference collection (2008)Methodological evolutions of Raman spectroscopy in art and archaeology (2016)Raman Spectroscopy of cultural heritage Materials: Overview of Applications and New Frontiers in Instrumentation, Sampling Modalities, and Data Processing (2016)Investigating Asian colourants in Chinese textiles from Dunhuang (7th-10th century AD) by high performance liquid chromatography tandem mass spectrometry – Towards the creation of a mass spectra database (2018)Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2 (1995)Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)Proteins in Art, Archaeology, and Paleontology: From Detection to Identification (2015)Analytical methods for determination of anthraquinone dyes in historical textiles: A review (2019)Application of surface‐enhanced Raman scattering techniques to the ultrasensitive identification of natural dyes in works of art (2006)Pigment Compendium: A Dictionary of Historical Pigments (2007)Raman microscopy in archaeological science (2004)Extractionless non‐hydrolysis surface‐enhanced Raman spectroscopic detection of historical mordant dyes on textile fibers (2010)High Performance Liquid Chromatography of Anthraquinones: Analysis of Plant and Insect Extracts and Dyed Textiles (1985)The natural constituents of historical textile dyes (2004)Analytical Methods for the Characterization of Organic Dyes in Artworks and in Historical Textiles (2009)Silver colloidal pastes for dye analysis of reference and historical textile fibers using direct, extractionless, non-hydrolysis surface-enhanced Raman spectroscopy (2013)New Frontiers in Application of FTIR Microscopy for Characterization of Cultural Heritage Materials (2016)Analytical chemistry in the field of cultural heritage (2015)UV-Vis spectroscopy (2018)Tip-Enhanced Raman Spectroscopy (TERS) for in Situ Identification of Indigo and Iron Gall Ink on Paper (2014)Hyperspectral imaging applied to the analysis of Goya paintings in the Museum of Zaragoza (Spain) (2015)Practical notes on ultraviolet technical photography for art examination (2015)Terahertz and Cultural Heritage Science: Examination of Art and Archaeology (2016)
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References

  • 2014Characterisation of colourants on illuminated manuscripts by portable fibre optic UV-visible-NIR reflectance spectrophotometry345 cited
  • 2009Microanalysis of organic pigments and glazes in polychrome works of art by surface-enhanced resonance Raman scattering196 cited
  • 2006An innovative surface‐enhanced Raman spectroscopy (SERS) method for the identification of six historical red lakes and dyestuffs171 cited
  • 2015Surface‐enhanced Raman spectroscopy in art and archaeology148 cited
  • 2014FORS Spectral Database of Historical Pigments in Different Binders119 cited
  • 2011Nondestructive Identification of Natural and Synthetic Organic Colorants in Works of Art by Surface Enhanced Raman Scattering118 cited
  • 2011Historical organic dyes: a surface‐enhanced Raman scattering (SERS) spectral database on Ag Lee–Meisel colloids aggregated by NaClO4118 cited
  • 2005Application of surface-enhanced Raman scattering (SERS) for the identification of anthraquinone dyes used in works of art99 cited
  • 2012SERS detection of red organic dyes in Ag‐agar gel91 cited
  • 2014Combining SERS and microspectrofluorimetry with historically accurate reconstructions for the characterization of lac dye paints in medieval manuscript illuminations87 cited
  • 2014A systematic analysis of red lake pigments in French Impressionist and Post‐Impressionist paintings by surface‐enhanced Raman spectroscopy (SERS)86 cited
  • 2007Non-Invasive Identification of White Pigments on 20Th-Century Oil Paintings by Using Fiber Optic Reflectance Spectroscopy78 cited

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  • 2011A detachable SERS active cellulose film: a minimally invasive approach to the study of painting lakes77 cited
  • 2009Surface‐enhanced Raman spectroscopy (SERS) on silver colloids for the identification of ancient textile dyes: Tyrian purple and madder77 cited
  • 2017Van Gogh’s Irises and Roses: the contribution of chemical analyses and imaging to the assessment of color changes in the red lake pigments70 cited
  • 2011Library of UV–Vis–NIR reflectance spectra of modern organic dyes from historic pattern-card coloured papers65 cited
  • Cited by

    • 2023The 20th century and its new colours: Investigating the molecular structures of historical synthetic dyes using Raman spectroscopy7 cited