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Upper Palaeolithic art as a perceptual search for magical images
12 references·1 citing·37 second hop
Upper Palaeolithic art as a perceptual search for magical images (2021)Upper Palaeolithic art as a perceptual se…Upper Palaeolithic Installation Art: Topography, Distortion, Animation and Participation in the Production and Experience of Cantabrian Cave Art (2020)Upper Palaeolithic Installati…The visual psychology of European Upper Palaeolithic figurative art: using Bubbles to understand outline depictions (2020)The visual psychology of Euro…What Is Anthropogenic? on the Cultural Aetiology of Geo-Situated Visual Imagery in Indigenous Amazonia (2018)What Is Anthropogenic? on the…The Origins of Iconic Depictions: A Falsifiable Model Derived from the Visual Science of Palaeolithic Cave Art and World Rock Art (2018)The Origins of Iconic Depicti…The visual brain and the early depiction of animals in Europe and Southeast Asia (2015)The visual brain and the earl…Art and its Objects (2015)Art and its ObjectsThe Visual Brain, Perception, and Depiction of Animals in Rock Art (2013)The Visual Brain, Perception,…Emanations of the Mind: Upper Paleolithic Art as a Visual Phenomenon (2012)Emanations of the Mind: Upper…The Visual Dynamics of Upper Palaeolithic Cave Art (2008)The Visual Dynamics of Upper …Seeing the ‘Unseen’: Fragmented Cues and the Implicit in Palaeolithic Art (2003)Seeing the ‘Unseen’: Fragment…Shamanism, Phosphenes, and Early Art: An Alternative Synthesis (2000)Shamanism, Phosphenes, and Ea…Paleolithic Art and Cognition (1992)Paleolithic Art and CognitionIlluminating palaeolithic art using virtual reality: A new method for integrating dynamic firelight into interpretations of art production and use (2023)Illuminating palaeolithic art…Conflict, arousal, and curiosity. (1960)The Signs of All Times: Entoptic Phenomena in Upper Palaeolithic Art [and Comments and Reply] (1988)On The Language Instinct (1994)The transition to farming and the 'revolution' of symbols in the Balkans. From ornament to entoptic and external symbolic storage (2004)Understanding the Origins of Palaeoart: The Neurovisual Resonance Theory and Brain Functioning (2006)Engraved ochres from the Middle Stone Age levels at Blombos Cave, South Africa (2009)Late Pleistocene Demography and the Appearance of Modern Human Behavior (2009)Pleistocene cave art from Sulawesi, Indonesia (2014)The Archaeology of Sulawesi: Current Research on the Pleistocene to the Historic Period (2018)Absence of botanical European Palaeolithic cave art: What can it tell us about plant awareness disparity? (2023)An Experimental Study of Apparent Behavior (1944)Psychology: The Science of Mind and Behaviour (1987)Art by firelight? Using experimental and digital techniques to explore Magdalenian engraved plaquette use at Montastruc (France) (2022)Looking and learning: Upper Palaeolithic Art and information gathering (1988)Systematic Pigment Use in the Middle Pleistocene of South‐Central Africa (2002)Earliest art in the Americas: incised image of a proboscidean on a mineralized extinct animal bone from Vero Beach, Florida (2011)Conversations with Caves: The Role of Pareidolia in the Upper Palaeolithic Figurative Art of Las Monedas and La Pasiega (Cantabria, Spain) (2023)Activation of Extrastriate and Frontal Cortical Areas by Visual Words and Word-Like Stimuli (1990)Cave Art, Autism, and the Evolution of the Human Mind (1998)Caricature and Contrast in the Upper Palaeolithic: Morphometric Evidence from Cave Art (2009)Doing with less: Hominin brain atrophy (2014)Family resemblances: Studies in the internal structure of categories (1975)Basic objects in natural categories (1976)Cognition and Categorization (1979)Ice Age Art, Autism, and Vision: How We See/How We Draw (1998)Rock Art Animals in Profile: Visual Recognition and the Principles of Canonical Form (2013)The Experience of Landscape (1978)Art and Illusion (2017)Neanderthal Language (2020)The Oxford Handbook of the Archaeology of Ritual and Religion (2011)U-Th dating of carbonate crusts reveals Neandertal origin of Iberian cave art (2018)Artworks as Historical Individuals (2003)The Ontology of Art (2004)Two Varieties of Literary Imagination: Metaphor, Fiction, and Thought Experiments (2009)Patterns of Style, Diversity, and Similarity in Middle Orinoco Rock Art Assemblages (2019)Territorializing/decolonizing South American prehistory: Pedra Furada and the Cerutti Mastodon (2019)‘A World of Knowledge’: Rock Art, Ritual, and Indigenous Belief at Serranía De La Lindosa in the Colombian Amazon (2024)
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References

  • 2015Art and its Objects434 cited
  • 2018The Origins of Iconic Depictions: A Falsifiable Model Derived from the Visual Science of Palaeolithic Cave Art and World Rock Art53 cited
  • 2008The Visual Dynamics of Upper Palaeolithic Cave Art34 cited
  • 2003Seeing the ‘Unseen’: Fragmented Cues and the Implicit in Palaeolithic Art28 cited
  • 2013The Visual Brain, Perception, and Depiction of Animals in Rock Art27 cited
  • 2000Shamanism, Phosphenes, and Early Art: An Alternative Synthesis21 cited
  • 2020Upper Palaeolithic Installation Art: Topography, Distortion, Animation and Participation in the Production and Experience of Cantabrian Cave Art20 cited
  • 2015The visual brain and the early depiction of animals in Europe and Southeast Asia16 cited
  • 2018What Is Anthropogenic? on the Cultural Aetiology of Geo-Situated Visual Imagery in Indigenous Amazonia16 cited
  • 1992Paleolithic Art and Cognition15 cited
  • 2012Emanations of the Mind: Upper Paleolithic Art as a Visual Phenomenon13 cited
  • 2020The visual psychology of European Upper Palaeolithic figurative art: using Bubbles to understand outline depictions11 cited

Cited by

  • 2023Illuminating palaeolithic art using virtual reality: A new method for integrating dynamic firelight into interpretations of art production and use10 cited

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