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Music, performance, and preservation: insights into documentation strategies for music theatre works
16 references·0 citing·29 second hop
Music, performance, and preservation: insights into documentation strategies for music theatre works (2021)Music, performance, and preservation: ins…Recovering Music-Theatre Works Involving Electronic Elements: The case of Molly Bloom and FE…DE…RI…CO… (2019)Recovering Music-Theatre Work…Developing a strategy for the conservation of performance-based artworks at Tate (2019)Developing a strategy for the…Reactivations (2018)ReactivationsMaterializing the intangible: the documentation of Luís Vaz 73 (1975), by Jorge Peixinho and Ernesto de Sousa (2017)Materializing the intangible:…iBroadway (2017)iBroadwaySaving the “Live”? Re-performance and Intangible Cultural Heritage (2016)Saving the “Live”? Re-perform…Performing Archives/Archives of Performance (2013)Performing Archives/Archives …Performance and intangible cultural heritage (2008)Performance and intangible cu…Liveness (2008)LivenessHistory will repeat itself, strategies of re-enactment in contemporary (media) art and performance (2008)History will repeat itself, s…Musical Personae (2006)Musical PersonaeM usic as P erformance : L iving in the I mmaterial W orld (2006)M usic as P erformance : L iv…Performance Analysis and Popular Music: A Manifesto (2004)Performance Analysis and Popu…Ir For Contemporary Music: What The Musicologist Needs. (2000)Ir For Contemporary Music: Wh…The Politics of the Body: Pina Bausch's "Tanztheater" (1990)The Politics of the Body: Pin…Pina Bausch: Dancing across Borders (1986)Pina Bausch: Dancing across B…Between Theater and Anthropology (1985)Destination Culture: Tourism, Museums, and Heritage (1999)Performing Remains (2011)Radical Intangibles: Materializing the Ephemeral (2021)Performances políticas e artivismo (2024)Unmarked: The Politics of Performance (1994)After the End of Art: Contemporary Art and the Pale of History (1998)Artificial hells: participatory art and the politics of spectatorship (2013)Changeability, Variability, and Malleability: Sharing Perspectives on the Role of Change in Time-based Art and Utilitarian Machinery Conservation (2020)Becoming Difference: On the Ethics of Conserving the In-Between (2021)Practitioner (In)visibility in the Conservation of Contemporary Art (2021)Musical Personae (2006)The Performativity of Performance Documentation (2006)Building the Authentic Celebrity: The “Idol” Phenomenon in the Attention Economy (2007)Queer Punk Macha Femme: Leslie Mah’s Musical Performance in Tribe 8 (2010)Turkey and the 'Copyleft' Music Production: Reflections on Bandista (2013)Gesture in Musical Declamation: An Intercultural Approach (2017)Close/Clown Encounters with History: From Mimesis to Kinesis in Practice as Research (2013)The Temporality of the Landscape Revisited (2016)Archival Art: Memory Practices, Interventions, and Productions (2020)No More Masterpieces: Tangible Impacts and Intangible Cultural Heritage in Bordered Worlds (2014)Queer of color worldmaking: in the rhetorical archive and the embodied repertoire (2018)D-ark—A Shared Digital Performance Art Archive with a Modular Metadata Schema (2019)In the here and now: Enhanced motor corticospinal excitability in novices when watching live compared to video recorded dance (2013)Sight over sound in the judgment of music performance (2013)Live-streaming, games and politics of gender performance: The case of Nüzhubo in China (2017)Introduction. Le reenactment ou le répertoire en régime intermédial (2016)In Person (2019)Over and Over and Over Again (2022)
this work references cited by second hop

References

  • 2008Liveness630 cited
  • 2004Performance Analysis and Popular Music: A Manifesto178 cited
  • 2013Performing Archives/Archives of Performance52 cited
  • 2008History will repeat itself, strategies of re-enactment in contemporary (media) art and performance44 cited
  • 2018Reactivations35 cited
  • 2008Performance and intangible cultural heritage34 cited
  • 2019Developing a strategy for the conservation of performance-based artworks at Tate32 cited
  • 2006M usic as P erformance : L iving in the I mmaterial W orld25 cited
  • 2016Saving the “Live”? Re-performance and Intangible Cultural Heritage23 cited
  • 1986Pina Bausch: Dancing across Borders18 cited
  • 2000Ir For Contemporary Music: What The Musicologist Needs.16 cited
  • 2006Musical Personae15 cited
  • 2017iBroadway14 cited
  • 1990The Politics of the Body: Pina Bausch's "Tanztheater"12 cited
  • 2017Materializing the intangible: the documentation of Luís Vaz 73 (1975), by Jorge Peixinho and Ernesto de Sousa8 cited
  • 2019Recovering Music-Theatre Works Involving Electronic Elements: The case of Molly Bloom and FE…DE…RI…CO…

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