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Micro‐Raman spectroscopy for the analysis of materials found in rock art shelters in Piedra Parada valley, Chubut province, Argentinian Patagonia
16 references·0 citing·31 second hop
Micro‐Raman spectroscopy for the analysis of materials found in rock art shelters in Piedra Parada valley, Chubut province, Argentinian Patagonia (2021)Micro‐Raman spectroscopy for the analysis…Raman spectra of natural manganese oxides (2019)Raman spectra of natural mang…Raman spectroscopy for the investigation of carbon‐based black pigments (2015)Raman spectroscopy for the in…Microanalysis of clay‐based pigments in painted artworks by the means of Raman spectroscopy (2013)Microanalysis of clay‐based p…In search of the optimum Raman/IR signatures of potential ingredients used in San/Bushman rock art paint (2013)In search of the optimum Rama…The first in situ micro‐Raman spectroscopic analysis of prehistoric cave art of Rouffignac St‐Cernin, France (2012)The first in situ micro‐Raman…The first spectroscopic analysis of Ethiopian prehistoric rock painting (2011)The first spectroscopic analy…Spectroscopy of Palaeolithic rock paintings from the Tito Bustillo and El Buxu Caves, Asturias, Spain (2011)Spectroscopy of Palaeolithic …The first in situ Raman spectroscopic study of San rock art in South Africa: procedures and preliminary results (2010)The first in situ Raman spect…The first Raman spectroscopic study of San rock art in the Ukhahlamba Drakensberg Park, South Africa (2008)The first Raman spectroscopic…Raman identification of natural red to yellow pigments: ochre and iron‐containing ores (2008)Raman identification of natur…Green pigments of the Pompeian artists’ palette (2008)Green pigments of the Pompeia…A comprehensive micro‐Raman spectroscopic study of prehistoric rock paintings from the Sierra de las Cuerdas, Cuenca, Spain (2008)A comprehensive micro‐Raman s…‘Green earths’: vibrational and elemental characterization of glauconites, celadonites and historical pigments (2008)‘Green earths’: vibrational a…Heated goethite and natural hematite: Can Raman spectroscopy be used to differentiate them? (2007)Heated goethite and natural h…Preliminary investigations by Raman microscopy of prehistoric pigments in the wall‐painted cave at Roucadour, Quercy, France (2006)Preliminary investigations by…An initial Raman microscopic investigation of prehistoric rock art in caves of the Quercy District, S.W. France (1999)An initial Raman microscopic …Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)Catalogue of 45 reference Raman spectra of minerals concerning research in art history or archaeology, especially on corroded metals and coloured glass (2003)Raman Spectroscopy of cultural heritage Materials: Overview of Applications and New Frontiers in Instrumentation, Sampling Modalities, and Data Processing (2016)Raman spectroscopy of minerals and mineral pigments in archaeometry (2016)On the stability of mediaeval inorganic pigments: a literature review of the effect of climate, material selection, biological activity, analysis and conservation treatments (2017)Ten Books on Architecture (1956)Clay and iron oxide pigments in the history of painting (2003)Pigment Compendium: A Dictionary of Historical Pigments (2007)Characterisation of a portable Raman spectrometer for in situ analysis of art objects (2013)Identification of pigments on Byzantine wall paintings from Crete (14th century AD) using non-invasive Fiber Optics Diffuse Reflectance Spectroscopy (FORS) (2013)Raman microscopy: application to the identification of pigments on medieval manuscripts (1995)Raman spectroscopic analysis of the Maya wall paintings in Ek’Balam, Mexico (2005)Trace element characterization of ochre from geological sources (2007)Raman spectroscopic analysis of pigments and substrata in prehistoric rock art (2000)Analysis of rock art painting and technology of Palaeolithic painters (2003)The multidisciplinary origin of soil geography: A review (2017)A Decade of Raman Spectroscopy in Art and Archaeology (2007)Non-invasive portable instrumentation to study Palaeolithic rock paintings: the case of La Peña Cave in San Roman de Candamo (Asturias, Spain) (2012)Characterizing the pigments and paints of prehistoric artists (2021)Raman identification of glassy silicates used in ceramics, glass and jewellery: a tentative differentiation guide (2006)A multi-technique characterization and provenance study of the pigments used in San rock art, South Africa (2011)The Destructive/Non-Destructive Identification of Enameled Pottery, Glass Artifacts and Associated Pigments—A Brief Overview (2013)Methodological evolutions of Raman spectroscopy in art and archaeology (2016)Pigments used in Roman wall paintings in the Vesuvian area (2010)Spectroscopic methods for the analysis of celadonite and glauconite in Roman green wall paintings (2011)The Use of Metal Nanoparticles to Produce Yellow, Red and Iridescent Colour, from Bronze Age to Present Times in Lustre Pottery and Glass: Solid State Chemistry, Spectroscopy and Nanostructure (2009)Pigments Checker version 3.0, a handy set for conservation scientists: A free online Raman spectra database (2016)Beads and bead residues as windows to past behaviours and taphonomy: a case study from Grassridge Rockshelter, Eastern Cape, South Africa (2020)Non-Invasive On-Site Raman Study of Pigments and Glassy Matrix of 17th–18th Century Painted Enamelled Chinese Metal Wares: Comparison with French Enamelling Technology (2020)Identification of tunnel structures in manganese oxide minerals using micro‐Raman spectroscopy (2023)
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References

  • 2007Heated goethite and natural hematite: Can Raman spectroscopy be used to differentiate them?445 cited
  • 2008Raman identification of natural red to yellow pigments: ochre and iron‐containing ores327 cited
  • 2015Raman spectroscopy for the investigation of carbon‐based black pigments251 cited
  • 2019Raman spectra of natural manganese oxides226 cited
  • 2008‘Green earths’: vibrational and elemental characterization of glauconites, celadonites and historical pigments178 cited
  • 1999An initial Raman microscopic investigation of prehistoric rock art in caves of the Quercy District, S.W. France133 cited
  • 2008Green pigments of the Pompeian artists’ palette127 cited
  • 2010The first in situ Raman spectroscopic study of San rock art in South Africa: procedures and preliminary results117 cited
  • 2006Preliminary investigations by Raman microscopy of prehistoric pigments in the wall‐painted cave at Roucadour, Quercy, France113 cited
  • 2008A comprehensive micro‐Raman spectroscopic study of prehistoric rock paintings from the Sierra de las Cuerdas, Cuenca, Spain91 cited
  • 2008The first Raman spectroscopic study of San rock art in the Ukhahlamba Drakensberg Park, South Africa87 cited
  • 2012The first in situ micro‐Raman spectroscopic analysis of prehistoric cave art of Rouffignac St‐Cernin, France78 cited
  • 2011The first spectroscopic analysis of Ethiopian prehistoric rock painting71 cited

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  • 2011Spectroscopy of Palaeolithic rock paintings from the Tito Bustillo and El Buxu Caves, Asturias, Spain67 cited
  • 2013In search of the optimum Raman/IR signatures of potential ingredients used in San/Bushman rock art paint65 cited
  • 2013Microanalysis of clay‐based pigments in painted artworks by the means of Raman spectroscopy59 cited
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