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New Zealand Music in the Popular Imagination 1988-2010: Revisiting a Moment for ‘Our Music’.
11 references·0 citing·37 second hop
New Zealand Music in the Popular Imagination 1988-2010: Revisiting a Moment for ‘Our Music’. (2018)New Zealand Music in the Popular Imaginat…“Rock Aesthetics and Musics of the World” (2019)“Rock Aesthetics and Musics o…Home. Land and Sea: Situating Music in Aotearoa New Zealand (2014)Home. Land and Sea: Situating…The promotional state ‘after neo-liberalism’: ideologies of governance and New Zealand's pop renaissance (2012)The promotional state ‘after …Songlines and Timelines through Auckland:music in the 'Queen City' (2011)Songlines and Timelines throu…Blue Smoke: The Lost Dawn of New Zealand Popular Music, 1918–1964 (2010)Blue Smoke: The Lost Dawn of …The networked state: New Zealand on Air and New Zealand’s pop renaissance (2008)The networked state: New Zeal…New Zealand popular music, government policy, and cultural identity (2008)New Zealand popular music, go…Tutira Mai Nga Iwi (Line up together, people): Constructing New Zealand identity through commercial radio (2007)Tutira Mai Nga Iwi (Line up t…Radio in the Global Age (2000)Radio in the Global AgeRock Aesthetics and Musics of the World (1997)Rock Aesthetics and Musics of…Kiwi rock: popular music and cultural identity in New Zealand (1994)Kiwi rock: popular music and …Pop and the Nation-State: towards a theorisation (1999)Popular music as social policy: Hybrid-hierarchies and social inclusion through New Zealand’s pop renaissance (2011)Student Radio: “A Good Friend of New Zealand Music” (2021)Disjuncture and Difference in the Global Cultural Economy (1990)A Theory of Structure: Duality, Agency, and Transformation (1992)The Field of Cultural Production (1994)'Roots'?: the relationship \nbetween the global and the local \nwithin the Extreme Metal scene (2000)Music and the Global Order (2004)Cultural Uniqueness and Aesthetic Cosmopolitanism (2007)The Postmodern Condition: A Report on Knowledge (1984)The iron cage revisited institutional isomorphism and collective rationality in organizational fields (2004)After Neoliberalism? Community Activism and Local Partnerships in Aotearoa New Zealand (2005)Pop Internationalism: Has A Half Century of World Music Trade Displaced Local Culture? (2010)Cultural entrepreneurs, cultural entrepreneurship: Music producers mobilising and converting Bourdieu's alternative capitals (2012)Sociology of the Global System. (1992)Sociology of the Global System. (1993)Taking Care of Business: Citizenship and the Charter of Incorporation (1993)Sonic psychogeography (2009)The Cambridge Companion to the Singer-Songwriter (2016)Many Voices: Music and National Identity in Aotearoa/New Zealand (2010)Gender, race, and the ma(s)king of ‘Joni Mitchell’ (2016)Musical gesture in the songs of Nick Drake (2016)Cultural industries and cultural policy (2005)Music Genres and Corporate Cultures (2010)How devoted are you? An examination of online music fan behaviour (2012)The Cultural Industries (2019)The Strength of Weak Ties (1973)The Iron Cage Revisited: Institutional Isomorphism and Collective Rationality in Organizational Fields (1983)Mapping the wax and wane of a ‘creative capital’: A personal reflection on 20 years of researching music making in Wellington, Aotearoa/New Zealand (2024)Ghazals to Bhangra in Great Britain (1988)NESIAN STYLES (RE) PRESENT R‘N’ B: THE APPROPRIATION, TRANSFORMATION AND REALIZATION OF CONTEMPORARY R'N'B WITH HIP HOP BY URBAN PASIFIKA GROUPS IN AOTEAROA (2005)HipHop als Hausmusik: Globale Sounds und (sub)urbane Kontexte (2007)Paul McCartney and the creation of ‘Yesterday’: the systems model in operation (2006)Researching Media Convergence and Crossmedia News Production (2007)Radio geopolitics: broadcasting, listening and the struggle for acoustic spaces (2008)The everyday Bogans: Identity and community amongst Heavy Metal fans (2012)The Forgotten Soundtrack of Maoriland: Imagining the Nation Through Alfred Hill’s Songs for Rewi's Last Stand (2015)
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References

  • 2000Radio in the Global Age139 cited
  • 1994Kiwi rock: popular music and cultural identity in New Zealand61 cited
  • 2014Home. Land and Sea: Situating Music in Aotearoa New Zealand54 cited
  • 1997Rock Aesthetics and Musics of the World47 cited
  • 2008New Zealand popular music, government policy, and cultural identity38 cited
  • 2010Blue Smoke: The Lost Dawn of New Zealand Popular Music, 1918–196420 cited
  • 2008The networked state: New Zealand on Air and New Zealand’s pop renaissance14 cited
  • 2019“Rock Aesthetics and Musics of the World”10 cited
  • 2007Tutira Mai Nga Iwi (Line up together, people): Constructing New Zealand identity through commercial radio9 cited
  • 2012The promotional state ‘after neo-liberalism’: ideologies of governance and New Zealand's pop renaissance9 cited
  • 2011Songlines and Timelines through Auckland:music in the 'Queen City'2 cited

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