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La "Última Cena" de Jaume Ferrer como Unción en Betania a partir de los tipos iconográficos y el antagonismo entre Judas y María Magdalena
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References

  • 1976Alone of all her sex111 cited
  • 2002:The Making of the Magdalen: Preaching and Popular Devotion in the Later Middle Ages60 cited
  • 1996El simbolismo animal en la cultura medieval38 cited
  • 1994Mary Magdalene and Many Others: Women who followed Jesus38 cited
  • 2008Holy dogs and asses: animals in the Christian tradition33 cited
  • 2001The Making of the Magdalen26 cited
  • 2006Visión y tratamiento del pecado en los manuales de confesión de la baja edad media hispana25 cited
  • 1986Pintura gòtica catalana9 cited
  • 1998Iconografía cristiana: guía básica para estudiantes7 cited
  • 2006Jaume Fuster painter of the cathedral of Lleida and the making of «draps imperials»3 cited

Cited by

  • 2024Interpreting Visuality in the Middle Ages: The Iconographic Paradigm of the Refectory of the Monastery of San Salvador de Oña1 cited

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