Baroque Modernity in Latin America: Situating Indigeneity, Urban Indigeneity and the Popular Economy

Abstract

This article uses the Bolivian city of El Alto as a lens through which to evaluate the place of urban indigeneity and the popular economy within Latin American modernity. Whilst some express worries over the erosion of indigenous ways of life and others see urban indigenous practices as defying capitalist modernity, I argue that these emergent forms of indigeneity need to be understood as part of the complex, particular historical articulation of modernity in Latin America. Here, colonialism and uneven capitalist development have imbued modernity with a baroque character, containing multiple temporalities and contradictory societal forms, including that of urban indigeneity.

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