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e juxtaposition of contrasting grammatical concepts may be compared with the so-called 'dynamic cutting in film montage, a type of cutting, which, e.g, in Spottiswoode s definition, uses the juxtaposition of contrasting shots or sequences to generate in the mind of the spectator ideas that these shots or sequences by themselves do not carry."Roman Jakobson 1 K.M: 2 e poetics of place has been a central theme in your work since the 1970s.A er years of doing fieldwork in Bosavi, Papua New Guinea, you introduced in 1993 in your influential essay "Waterfalls of song" the concept of "acoustemology, " or sound as a way of knowing, 3 and you analyzed in fine detail the linguistic and poetic features of the Bosavi acoustemology.As a way of introducing the French translation of this essay, I would like to focus on the poetic performances of the Bosavi people: what they tell of a way of being in the world, and how you have chosen to translate and represent them through texts,
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