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Cover Art (2021)Cover ArtWax Trash and Vinyl Treasures: Record Collecting as a Social Practice (2017)Wax Trash and Vinyl Treasures…Sonic Artefacts: "Record Collecting" in the Digital Age (2016)Sonic Artefacts: "Record Coll…African American music : an introduction (2015)African American music : an i…The vinyl: The analogue medium in the age of digital reproduction (2013)The vinyl: The analogue mediu…Exploring the Funkadelic Aesthetic: Intertextuality and Cosmic Philosophizing in Funkadelic’s Album Covers and Liner Notes (2013)Exploring the Funkadelic Aest…Afrofuturism: The World of Black Sci-Fi and Fantasy Culture (2013)Afrofuturism: The World of Bl…What the music said: black popular music and black public culture (1999)What the music said: black po…Funk: The Music, The People, and The Rhythm of The One (1996)Funk: The Music, The People, …The Signifying Monkey: A Theory of African-American Literary Criticism (1988)Black looks: race and representation (1992)Small acts: thoughts on the politics of black cultures (1994)The Gift: Forms and Functions of Exchange in Archaic Societies. (1956)The cultural biography of things: commoditization as process (1986)Stone Age Economics (2012)Nostalgia marketing and (re-)enchantment (2019)Soundtracking: music listening practices in the digital age (2019)Free Labor (2000)The Second Enclosure Movement and the Construction of the Public Domain (2003)The long tail: why the future of business is selling less of more (2007)Lost in the Shuffle: Technology, History, and the Idea of Musical Randomness (2014)Popular Music, Cultural Memory, and Heritage (2015)Materializing digital collecting: An extended view of digital materiality (2018)Improvising over the Changes: Improvisation as Intellectual and Aesthetic Practice in the Transitional Poems of LeRoi Jones / Amiri Baraka (2007)Music, Politics, and Pleasure: Live Soca in Trinidad (2010)Post-World War II Jazz in Britain (2014)Intimate Objectivity: On Nnedi Okorafor's Oceanic Afrofuturism (2017)Toward a Planetary History of Afrofuturism (2017)Infrastructure between Statehood and Selfhood: (2020)THE MUSIC BUSINESS AND RAP: BETWEEN THE STREET AND THE EXECUTIVE SUITE (1999)Critical Hip Hop Pedagogy as a Form of Liberatory Praxis (2009)Banding together: how communities create genres in popular music (2012)“White Night”: Gentrification, Racial Exclusion, and Perceptions and Participation in the Arts (2011)Loving Music Till It Hurts (2019)Playing to the Crowd (2019)
this work references cited by second hop

References

  • 1999What the music said: black popular music and black public culture309 cited
  • 2013Afrofuturism: The World of Black Sci-Fi and Fantasy Culture173 cited
  • 1996Funk: The Music, The People, and The Rhythm of The One124 cited
  • 2013The vinyl: The analogue medium in the age of digital reproduction119 cited
  • 2017Wax Trash and Vinyl Treasures: Record Collecting as a Social Practice101 cited
  • 2015African American music : an introduction69 cited
  • 2013Exploring the Funkadelic Aesthetic: Intertextuality and Cosmic Philosophizing in Funkadelic’s Album Covers and Liner Notes6 cited
  • 2016Sonic Artefacts: "Record Collecting" in the Digital Age6 cited

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