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The Characterization of the Materials Used by Gino Severini in his 20th C Wall Paintings at Semsales in Switzerland
16 references·0 citing·43 second hop
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References

  • 1997Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD)992 cited
  • 2008Synthetic organic pigments of the 20th and 21st century relevant to artist's paints: Raman spectra reference collection262 cited
  • 2014Identification of pigments by multispectral imaging; a flowchart method257 cited
  • 2009FT-NIR spectroscopy for non-invasive identification of natural polymers and resins in easel paintings148 cited
  • 2008Raman spectroscopy of synthetic organic pigments used in 20th century works of art108 cited
  • 2013Non-invasive identification of metal-oxalate complexes on polychrome artwork surfaces by reflection mid-infrared spectroscopy107 cited
  • 2011Spectroscopic, morphological and chemical characterization of historic pigments based on carbon. Paths for the identification of an artistic pigment105 cited
  • 2015UV–Vis-NIR and micro Raman spectroscopies for the non destructive identification of Cd 1−x Zn x S solid solutions in cadmium yellow pigments98 cited
  • 2008Correction of Ultraviolet-Induced Fluorescence Spectra for the Examination of Polychromy90 cited
  • 2015Interpretation of mid and near-infrared reflection properties of synthetic polymer paints for the non-invasive assessment of binding media in twentieth-century pictorial artworks85 cited
  • 2009Non-invasive identification of organic materials in wall paintings by fiber optic reflectance infrared spectroscopy: a statistical multivariate approach84 cited
  • 2016Disclosing Jackson Pollock’s palette in Alchemy (1947) by non-invasive spectroscopies45 cited

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  • 2017Reflectance imaging spectroscopy and synchrotron radiation X-ray fluorescence mapping used in a technical study of The Blue Room by Pablo Picasso42 cited
  • 2016Piet Mondrian’s Broadway Boogie Woogie: non invasive analysis using macro X-ray fluorescence mapping (MA-XRF) and multivariate curve resolution-alternating least square (MCR-ALS)37 cited
  • 2018Microscopic Analysis of Wall Painting Techniques: Laboratory Replicas and Romanesque Case Studies in Southern Switzerland29 cited
  • 2015Multi‐analytical non‐invasive study of modern yellow paints from postwar Italian paintings from the International Gallery of Modern Art Cà Pesaro, Venice25 cited
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