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The audible past
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The audible past (2003)The audible past‘I hate visual culture.’ The controversial rise of visual studies and the disciplinary politics of the visible (2020)‘I hate visual culture.’ The …Sound maps matter: expanding cartophony (2016)Sound maps matter: expanding …‘Feeling the range’: Emotional geographies of sound in prisons (2016)‘Feeling the range’: Emotiona…Music, Mechanism, and the “Sonic Turn” in Physical Diagnosis (2015)Music, Mechanism, and the “So…Introduction: listening to sound archives (2015)Introduction: listening to so…Tin Pan Allegory (2012)Tin Pan AllegoryDeadness: Technologies of the Intermundane (2010)Deadness: Technologies of the…Quotation Marks, the Gramophone Record, and the Language of the Outlaw (2009)Quotation Marks, the Gramopho…Tearing Speech to Pieces : Voice technologies of the 1940s (2008)Tearing Speech to Pieces : Vo…Listening Spaces: Audiophiles, Technology and Domestic Music Listening (2004)Listening Spaces: Audiophiles…Gramophone, Film, Typewriter (1987)Discourse Networks, 1800/1900 (1990)The Form of the Phonograph Record (1990)Dipesh Chakrabarty . Provincializing Europe: Postcolonial Thought and Historical Difference. (Princeton Studies in Culture/Power/History.) Princeton: Princeton University Press. 2000. Pp. xii, 301. Cloth $55.00, paper $16.95 (2001)Meeting the Universe Halfway: Quantum Physics and the Entanglement of Matter and Meaning (2007)Reassembling the social: An introduction to actor‐network‐theory (2008)Decomposed: a political ecology of music (2015)Evolution, Cognition, and Performance (2015)Improvisation and Social Aesthetics (2017)The Social Construction of Facts and Artefacts: or How the Sociology of Science and the Sociology of Technology might Benefit Each Other (1984)The Social Construction of Technological Systems (1989)The Audible Past (2003)The collected works of Ralph Waldo Emerson (1971)Lewis A. Erenberg. Steppin' Out: New York Nightlife and the Transformation of American Culture, 1890–1930. (Contributions in American Studies, number 50.) Westport, Conn.: Greenwood Press. 1981. Pp. xix, 291. $23.95 (1982)Popular Culture in Early Modern Europe (2017)Lenin and Philosophy and Other Essays (1971)Mimesis and alterity: a particular history of the senses (1993)Connecting Indigenous Song Archives to Kin, Country and Language (2019)Television: Technology and Cultural Form (1974)Material Culture and Mass Consumption. (1991)Audio-vision: sound on screen (1994)Naissance de la clinique (1963)The Birth of the Clinic (2002)A Sensory Education (2020)Composing the Crisis: From Mesmer's Harmonica to Charcot's Tam-tam (2020)Domination and the arts of resistance: hidden transcripts (1991)Homo sacer: sovereign power and bare life (1999)Domination and the Arts of Resistance (2017)Counter-carceral acoustemologies: Sound, permeability and feminist protest at the prison boundary (2018)Listening to consumption: Towards a sonic turn in consumer research (2018)Sonic geographies: Themes, concepts, and deaf spots (2018)DECONSTRUCTING THE MAP (1989)The Perception of the Environment (2002)The Perception of the Environment: Essays on Livelihood, Dwelling and Skill (2021)Labor and Monopoly Capital: The Degradation of Work in the Twentieth Century. (1976)Picture theory: essays on verbal and visual representation (1994)On reciprocity: expanding the dialogue between disciplines (2021)Protecting the future ‘Us’: a rhetoric-performative multimodal analysis of the polarising far-right YouTube campaign videos in Finland (2023)
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  • 2010Deadness: Technologies of the Intermundane229 cited
  • 2016‘Feeling the range’: Emotional geographies of sound in prisons57 cited
  • 2015Introduction: listening to sound archives39 cited
  • 2016Sound maps matter: expanding cartophony35 cited
  • 2015Music, Mechanism, and the “Sonic Turn” in Physical Diagnosis7 cited
  • 2020‘I hate visual culture.’ The controversial rise of visual studies and the disciplinary politics of the visible6 cited
  • 2008Tearing Speech to Pieces : Voice technologies of the 1940s6 cited
  • 2009Quotation Marks, the Gramophone Record, and the Language of the Outlaw6 cited
  • 2012Tin Pan Allegory4 cited
  • 2004Listening Spaces: Audiophiles, Technology and Domestic Music Listening2 cited

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