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Crisis as a Catalyst for Change: COVID-19, Spatiality and the UK Live Music Industry
7 references·1 citing·26 second hop
Crisis as a Catalyst for Change: COVID-19, Spatiality and the UK Live Music Industry (2021)Crisis as a Catalyst for Change: COVID-19…COVID-19 and the UK Live Music Industry: A Crisis of Spatial Materiality (2020)COVID-19 and the UK Live Musi…Vaudeville Melodies: Popular Musicians and Mass Entertainment in American Culture, 1870–1929 (2018)Vaudeville Melodies: Popular …Music and Capitalism: A History of the Present (2015)Music and Capitalism: A Histo…The economy of live music in the digital age (2010)The economy of live music in …Building a Social Materiality: Spatial and Embodied Politics in Organizational Control (2005)Building a Social Materiality…Rocking the House: Sound System Cultures and the Politics of Space (1995)Rocking the House: Sound Syst…Art, culture, and enterprise: the politics of art and the cultural industries (1991)Art, culture, and enterprise:…Emerging Patterns of Participation in Virtual Live Concerts (2025)Emerging Patterns of Particip…The History of Sexuality (1976)Phenomenology of Perception (1982)5. The Practice of Everyday Life (2000)Time for space: A narrative review of research on organizational spaces (2007)1 Constitutional Amendments: “Materializing” Organizational Communication (2009)Algorithmic Surveillance in the Gig Economy: The Organization of Work through Lefebvrian Conceived Space (2020)From Ritual to Theatre: The Human Seriousness of Play (1983)The structural transformation of the public sphere: an inquiry into a category of bourgeois society (1990)The Work of Art in the Age of Mechanical Reproduction (2007)The Firm Foundation of Organizational Flexibility: The 360 Contract in the Digitalizing Music Industry (2012)Why go to pop concerts? The motivations behind live music attendance (2016)The ‘lonely raver’: music livestreams during COVID-19 as a hotline to collective consciousness? (2020)Comparing technological hype cycles: Towards a theory (2013)Live Concert Performance: An Ecological Approach (2016)What the digitalisation of music tells us about capitalism, culture and the power of the information technology sector (2017)Technomad: Global Raving Countercultures (2009)White Faces in Intimate Spaces: Jamaican Popular Music in Global Circulation (2015)Sampling in der Musikproduktion (2020)Balance Problems: Neoliberalism and New Music in the American University and Ensemble (2018)Algorithmic cosmopolitanism: on the global claims of digital entertainment platforms (2019)Collaborating in Isolation: Assessing the Effects of the Covid-19 Pandemic on Patterns of Collaborative Behavior Among Working Musicians (2021)Pre-existing conditions (2021)Making space: Investigating the diversity conundrum for British music festivals (2022)GLOBALIZATION AND TRINIDAD CARNIVAL: DIASPORA, HYBRIDITY AND IDENTITY IN GLOBAL CULTURE (1999)Heritage as Knowledge: Capital or Culture? (2002)THE THERAPEUTIC STATE (2005)
this work references cited by second hop

References

  • 2005Building a Social Materiality: Spatial and Embodied Politics in Organizational Control416 cited
  • 2010The economy of live music in the digital age167 cited
  • 2015Music and Capitalism: A History of the Present128 cited
  • 1991Art, culture, and enterprise: the politics of art and the cultural industries65 cited
  • 2018Vaudeville Melodies: Popular Musicians and Mass Entertainment in American Culture, 1870–192919 cited
  • 2020COVID-19 and the UK Live Music Industry: A Crisis of Spatial Materiality15 cited
  • 1995Rocking the House: Sound System Cultures and the Politics of Space15 cited

Cited by

  • 2025Emerging Patterns of Participation in Virtual Live Concerts6 cited

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