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Incorporating Folk Belief into National Heritage: The Interaction between Ritual Practice and Theatrical Performance in Xiud Yax Lus Qim (Yalu wang) of the Miao (Hmong) Ethnic Group
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Incorporating Folk Belief into National Heritage: The Interaction between Ritual Practice and Theatrical Performance in Xiud Yax Lus Qim (Yalu wang) of the Miao (Hmong) Ethnic Group (2021)Incorporating Folk Belief into National H…Exploring Hmong Americans’ Attitudes towards Hmong Traditional Full-Service Funerals: The Hmong Cultural Integration Project (2020)Exploring Hmong Americans’ At…Myth, Ritual and the Oral (2010)Myth, Ritual and the OralHow Societies Remember (1989)How Societies RememberReligion-Related Intangible Cultural Heritage Safeguarding Practices and Initiatives of the Contemporary Chinese State (2022)Religion-Related Intangible C…THE CONVENTION CONCERNING THE PROTECTION OF THE WORLD CULTURAL AND NATURAL HERITAGE (1985)Tourism, Religion and Spiritual Journeys (2006)Operational Guidelines for the Implementation of the World Heritage Convention (2023)Social Memory Studies: From “Collective Memory” to the Historical Sociology of Mnemonic Practices (1998)Social Theory of International Politics (1999)9. The Generation Of Postmemory (2008)The ‘apocryphal’ New Testament (2013)Emotions and Cultural Theory (2014)Not So Innocent Anymore (2015)
this work references cited by second hop

References

  • 1989How Societies Remember6,079 cited
  • 2010Myth, Ritual and the Oral133 cited
  • 2020Exploring Hmong Americans’ Attitudes towards Hmong Traditional Full-Service Funerals: The Hmong Cultural Integration Project4 cited

Cited by

  • 2022Religion-Related Intangible Cultural Heritage Safeguarding Practices and Initiatives of the Contemporary Chinese State13 cited

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