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New insights to the interactions between amorphous georgite pigment and linseed oil binder that lead to a drastic color change
16 references·1 citing·38 second hop
New insights to the interactions between amorphous georgite pigment and linseed oil binder that lead to a drastic color change (2021)New insights to the interactions between …Raman spectroscopic library of medieval pigments collected with five different wavelengths for investigation of illuminated manuscripts (2018)Raman spectroscopic library o…Effect of particle size on pigments colour (2016)Effect of particle size on pi…New Insights into the Ageing of Linseed Oil Paint Binder: A Qualitative and Quantitative Analytical Study (2012)New Insights into the Ageing …Interactions between inorganic pigments and proteinaceous binders in reference paint reconstructions (2012)Interactions between inorgani…Attenuated total reflection micro FTIR characterisation of pigment–binder interaction in reconstructed paint films (2008)Attenuated total reflection m…The Invention of Blue and Purple Pigments in Ancient Times (2007)The Invention of Blue and Pur…The invention of blue and purple pigments in ancient times (2006)The invention of blue and pur…Long-Term Chemical and Physical Processes in Oil Paint Films (2005)Long-Term Chemical and Physic…Colour and art: A brief history of pigments (2005)Colour and art: A brief histo…The characterisation of lead fatty acid soaps in ‘protrusions’ in aged traditional oil paint (2003)The characterisation of lead …Analysis of green copper pigments in illuminated manuscripts by micro-Raman spectroscopy (2003)Analysis of green copper pigm…Identification of non-cross-linked compounds in methanolic extracts of cured and aged linseed oil-based paint films using gas chromatography–mass spectrometry (2002)Identification of non-cross-l…Chemical Reactions Between Copper Pigments and Oleoresinous Media (2002)Chemical Reactions Between Co…Thin-Film Study on the Oxidation of Linseed Oil in the Presence of Selected Copper Pigments (1999)Thin-Film Study on the Oxidat…Analysis of Aged Paint Binders by FTIR Spectroscopy (1990)Analysis of Aged Paint Binder…The Effects of Some Common Pigments on the Photo-Oxidation of Linseed Oil-Based Paint Media (1980)The Effects of Some Common Pi…Exploring the Role and Variability of 3d Transition Metal Complexes in Artistic Coloration through a Bottom-Up Scientific Approach (2024)Exploring the Role and Variab…The materials and techniques of medieval painting (1956)Processing ochre in the Middle Stone Age: Testing the inference of prehistoric behaviours from actualistically derived experimental data (2011)Hyperspectral imaging applied to the analysis of Goya paintings in the Museum of Zaragoza (Spain) (2015)Raman spectroscopy of minerals and mineral pigments in archaeometry (2016)The Characterization of Metal Soaps (2003)New Advances in the Application of FTIR Microscopy and Spectroscopy for the Characterization of Artistic Materials (2010)Proteins in Art, Archaeology, and Paleontology: From Detection to Identification (2015)On the stability of mediaeval inorganic pigments: a literature review of the effect of climate, material selection, biological activity, analysis and conservation treatments (2017)The Organic Chemistry of Museum Objects (1987)The Organic Chemistry of Museum Objects (1988)Kinetics of oil saponification by lead salts in ancient preparations of pharmaceutical lead plasters and painting lead mediums (2006)Identification of reaction compounds in micrometric layers from gothic paintings using combined SR-XRD and SR-FTIR (2009)Pigments—Lead-based whites, reds, yellows and oranges and their alteration phases (2021)Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2 (1995)Organic Mass Spectrometry in Art and Archaeology (2009)Lead soaps in paintings: Friends or foes? 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References

  • 1990Analysis of Aged Paint Binders by FTIR Spectroscopy282 cited
  • 2006The invention of blue and purple pigments in ancient times255 cited
  • 2008Attenuated total reflection micro FTIR characterisation of pigment–binder interaction in reconstructed paint films214 cited
  • 2005Colour and art: A brief history of pigments205 cited
  • 2007The Invention of Blue and Purple Pigments in Ancient Times145 cited
  • 2012New Insights into the Ageing of Linseed Oil Paint Binder: A Qualitative and Quantitative Analytical Study129 cited
  • 2003The characterisation of lead fatty acid soaps in ‘protrusions’ in aged traditional oil paint120 cited
  • 2018Raman spectroscopic library of medieval pigments collected with five different wavelengths for investigation of illuminated manuscripts120 cited
  • 2016Effect of particle size on pigments colour116 cited
  • 2005Long-Term Chemical and Physical Processes in Oil Paint Films111 cited
  • 2003Analysis of green copper pigments in illuminated manuscripts by micro-Raman spectroscopy79 cited
  • 2002Chemical Reactions Between Copper Pigments and Oleoresinous Media74 cited
  • 2002Identification of non-cross-linked compounds in methanolic extracts of cured and aged linseed oil-based paint films using gas chromatography–mass spectrometry70 cited
  • 1980The Effects of Some Common Pigments on the Photo-Oxidation of Linseed Oil-Based Paint Media

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70 cited
  • 2012Interactions between inorganic pigments and proteinaceous binders in reference paint reconstructions61 cited
  • 1999Thin-Film Study on the Oxidation of Linseed Oil in the Presence of Selected Copper Pigments50 cited
  • Cited by

    • 2024Exploring the Role and Variability of 3d Transition Metal Complexes in Artistic Coloration through a Bottom-Up Scientific Approach8 cited