Pigments, dyes and inks: their analysis on manuscripts, scrolls and papyriLucía Burgio2021-10-13articleArchaeological and Anthropological Sciences41 citationsclosedNo readable copy stored yet — this record is metadata only.Cultural Heritage Materials AnalysisConservation Techniques and StudiesBuilding materials and conservationAbstractNo abstract was published for this record.Citations in this libraryStored only when both papers are in the corpus — 41 citations exist upstream.References2001Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation2000Ancient Egyptian materials and technology2007Pigment Compendium: A Dictionary of Historical Pigments2006Multispectral and hyperspectral imaging technologies in conservation: current research and potential applications2014Characterisation of colourants on illuminated manuscripts by portable fibre optic UV-visible-NIR reflectance spectrophotometry2016Reflectance Hyperspectral Imaging for Investigation of Works of Art: Old Master Paintings and Illuminated Manuscripts2011Reflection infrared spectroscopy for the non-invasive in situ study of artists’ pigments1956The materials and techniques of medieval paintingCited by2021Wall paintings through the ages: the roman period—Republic and early Empire2021Mortars and plasters—How mortars were made. The literary sources2021Production, transport and on-site organisation of Roman mortars and plasters2021Not only wall paintings—pigments for cosmetics2021Glass-based pigments in painting: smalt blue and lead–tin yellow type II2021The ecology and bioactivity of some Greco-Roman medicinal minerals: the case of Melos earth pigments