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Dancing After Life: Flexible Spacetimes of Black Female ResistDance
16 references·0 citing·31 second hop
Dancing After Life: Flexible Spacetimes of Black Female ResistDance (2021)Dancing After Life: Flexible Spacetimes o…Black Performance Theory (2020)Black Performance TheoryBlack Performance on the Outskirts of the Left (2018)Black Performance on the Outs…The Oxford Handbook of Dance and Reenactment (2017)The Oxford Handbook of Dance …Queer Dance (2017)Queer DanceAs We Have Always Done: Indigenous Freedom through Radical Resistance (2017)As We Have Always Done: Indig…As We Have Always Done (2017)As We Have Always DoneIn the Wake: On Blackness and Being (2016)In the Wake: On Blackness and…Physics of Blackness: Beyond the Middle Passage Epistemology (2015)Physics of Blackness: Beyond …Embodied Avatars: Genealogies of Black Feminist Art and Performance (2015)Embodied Avatars: Genealogies…Embodied Avatars (2015)Embodied AvatarsPerforming Remains (2011)Performing RemainsPerforming remains art and war in times of theatrical reenactment (2011)Performing remains art and wa…Physics of Blackness (2010)Physics of BlacknessBLACK ATLANTIC, QUEER ATLANTIC (2008)BLACK ATLANTIC, QUEER ATLANTICButting out: Reading Resistive Choreographies through Works by Jawole Willa Jo Zollar and Chandralekha (2005)Butting out: Reading Resistiv…Moving History/Dancing Cultures: A Dance History Reader, edited by Ann Dils and Ann Cooper Albright. 2001. Middletown, CT: Wesleyan University Press, xviii + 492 pp., illustrations, notes, bibliography of further readings, index. $70.00 cloth; $24.95 paper. (2002)Moving History/Dancing Cultur…The Repeating Island (1996)Aberrations in Black: Toward a Queer of Color Critique (2003)Specters of the Atlantic: finance capital, slavery, and the philosophy of history (2006)Black/Queer/Diaspora at the Current Conjuncture (2012)What the Sands Remember (2012)Blackness and Nothingness (Mysticism in the Flesh) (2013)Passionate amateurs: theatre, communism, and love (2014)Black Box, White Cube, Gray Zone: Dance Exhibitions and Audience Attention (2018)Archive Feelings: A Theory of Greek Tragedy (2020)Sense of Motion, Senses of Self: Becoming a Dancer (2008)The Oxford Handbook of The American Musical (2011)The commons: Infrastructures for troubling times* (2016)The anti-Blackness of global capital (2018)Blackness and the Pitfalls of Anthropocene Ethics (2019)The coloniality of disaster: Race, empire, and the temporal logics of emergency in Puerto Rico, USA (2020)Colonisation, hauora and whenua in Aotearoa (2019)The New Materialisms and Indigenous Theories of Non-Human Agency: Making the Case for Respectful Anti-Colonial Engagement (2019)Ecocinema Theory and Practice 2 (2022)Ambiguous Masculinities: Gender and Sexual Transgression in Contemporary Dance Works by Senegalese Men (2019)Gestural Imaginaries (2019)“We’ll See You at the Barre!”: Stretching Queer Sociality with Ballez (2021)Choreography Invisible (2020)Creative heritage: An approach for research and practice integrating heritage and the performing arts (2021)In Our Hands: An Ethics of Gestural Response-ability. Rebecca Schneider in conversation with Lucia Ruprecht (2017)Shakespeare, Spectatorship and the Technologies of Performance (2020)The ethics and politics of data sets in the age of machine learning: deleting traces and encountering remains (2022)Indigenous science (fiction) for the Anthropocene: Ancestral dystopias and fantasies of climate change crises (2018)Our history is the future: Standing rock versus the dakota access pipeline, and the long tradition of indigenous resistance (2020)Time and the otherwise: Plantations, garrisons and being human in the Caribbean (2016)Black matters are spatial matters: Black geographies for the twenty‐first century (2019)Trading Spaces: Antiblackness and Reflections on Black Education Futures (2020)
this work references cited by second hop

References

  • 2016In the Wake: On Blackness and Being3,276 cited
  • 2017As We Have Always Done2,670 cited
  • 2011Performing Remains803 cited
  • 2017As We Have Always Done: Indigenous Freedom through Radical Resistance700 cited
  • 2011Performing remains art and war in times of theatrical reenactment633 cited
  • 2010Physics of Blackness591 cited
  • 2008BLACK ATLANTIC, QUEER ATLANTIC440 cited
  • 2002Moving History/Dancing Cultures: A Dance History Reader, edited by Ann Dils and Ann Cooper Albright. 2001. Middletown, CT: Wesleyan University Press, xviii + 492 pp., illustrations, notes, bibliography of further readings, index. $70.00 cloth; $24.95 paper.231 cited
  • 2017The Oxford Handbook of Dance and Reenactment218 cited
  • 2017Queer Dance173 cited
  • 2015Embodied Avatars158 cited
  • 2015Physics of Blackness: Beyond the Middle Passage Epistemology135 cited
  • 2005Butting out: Reading Resistive Choreographies through Works by Jawole Willa Jo Zollar and Chandralekha59 cited
  • 2015Embodied Avatars: Genealogies of Black Feminist Art and Performance37 cited
  • 2018Black Performance on the Outskirts of the Left26 cited

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2020
Black Performance Theory
23 cited

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