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FROM CALIGARI TO JOKER: the clown prince of crime’s psychopathic science
10 references·1 citing·29 second hop
FROM CALIGARI TO JOKER: the clown prince of crime’s psychopathic science (2021)FROM CALIGARI TO JOKER: the clown prince …From Madman to Crime Fighter (2017)From Madman to Crime FighterBatman’s Joker, a neo-modern clown of violence (2014)Batman’s Joker, a neo-modern …Das Cabinet des Dr. Caligari (2013)Das Cabinet des Dr. CaligariShell Shock Cinema (2009)Shell Shock CinemaPossessed (2008)PossessedHandbook of Public Communication of Science and Technology (2008)Handbook of Public Communicat…Dancing in the Streets: A History of Collective Joy (2008)Dancing in the Streets: A His…Batman unmasked : analysing a cultural icon (2001)Batman unmasked : analysing a…The Doppelgänger (1996)The DoppelgängerCaligari's Children: The Film as Tale of Terror (1983)Caligari's Children: The Film…From Harleen Quinzel to Harley Quinn: science, symmetry and transformation (2023)From Harleen Quinzel to Harle…Der Witz und seine Beziehung zum Unbewussten (1976)How to Read Superhero Comics and Why (2002)How to read superhero comics and why (2003)Transgressive clowns: between horror and humour (2019)“Human or machine?” performing androids, “Elektro‐Homos,” and the “Phroso” and “Moto Phoso” manias on the popular stage around 1900 (2023)Literature and cinema (2005)The Politics and Aesthetics of Operatic Modernism (2006)Who's Laughing now? The Postmodern Splatter Film (1994)Horror Film and Psychoanalysis (2004)Cannibalism in Literature and Film (2012)Complexity in the Comic and Graphic Novel Medium: Inquiry Through Bestselling Batman Stories (2011)Toward an understanding of political enthusiasm as media fandom: Blogging, fan productivity and affect in American politics (2013)“Bitches Ain’t Gonna Hunt No Ghosts”: Totemic Nostalgia, Toxic Fandom and the Ghostbusters Platonic (2017)Ambivalent Agency: Gestural Performances of Hands in Weimar Dance and Film (2010)Modernist Temporality: The Science and Philosophy and Aesthetics of Temporality from 1880 (2017)The Cambridge History of Modernism (2017)The ego, the ocular, and the uncanny: Why are metaphors of vision central in accounts of the uncanny? (2013)Introduction: Towards an Ethics of Gesture (2017)Print and Performance in the 1820s (2020)Listening and tourism studies (2010)Home sounds: experiential practices and performativities of hearing and listening (2013)The intrapersonal and interpersonal consequences of interpersonal synchrony (2022)Understanding Media Archaeology (2012)Affect and automaticy: Towards an analytics of experimentation (2014)Social Media and the Politics of Small Data: Post Publication Peer Review and Academic Value (2015)Epidemics, public health workers, and ‘heroism’ in cinematic perspective (2021)Attitudes Towards Science (2017)The Information Deficit Model and Climate Change Communication (2017)The US News Media, Polarization on Climate Change, and Pathways to Effective Communication (2017)
this work references cited by second hop

References

  • 2008Handbook of Public Communication of Science and Technology580 cited
  • 2008Dancing in the Streets: A History of Collective Joy166 cited
  • 2009Shell Shock Cinema157 cited
  • 1983Caligari's Children: The Film as Tale of Terror117 cited
  • 1996The Doppelgänger76 cited
  • 2008Possessed50 cited
  • 2013Das Cabinet des Dr. Caligari33 cited
  • 2001Batman unmasked : analysing a cultural icon28 cited
  • 2014Batman’s Joker, a neo-modern clown of violence23 cited
  • 2017From Madman to Crime Fighter23 cited

Cited by

  • 2023From Harleen Quinzel to Harley Quinn: science, symmetry and transformation9 cited

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