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Sounding the “6ix”: Drake, Cultural Appropriation, and Embodied Caribbeanization
16 references·0 citing·37 second hop
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References

  • 2017Borderlands/La Frontera: The New Mestiza10,735 cited
  • 1997The Black Atlantic: Modernity and Double Consciousness.4,759 cited
  • 1983The Tuning of the World706 cited
  • 1994Not Just (Any) Body Can be a Citizen: The Politics of Law, Sexuality and Postcoloniality in Trinidad and Tobago and the Bahamas577 cited
  • 2000Western music and its others : difference, representation, and appropriation in music559 cited
  • 2006Phonographies: grooves in sonic Afro-modernity536 cited
  • 2006From Cultural Exchange to Transculturation: A Review and Reconceptualization of Cultural Appropriation469 cited
  • 2006What Is This "Black" in Black Popular Culture?372 cited
  • 1990Paul Simon's Graceland, South Africa, and the Mediation of Musical Meaning314 cited
  • 2004Consuming the Caribbean: from Arawaks to zombies283 cited
  • 2006Mobilizing India: Women, Music, and Migration between India and Trinidad184 cited
  • 1984Big Sounds from Small People: The Music Industry in Small Countries177 cited
  • 2006Sound Clash: Jamaican Dancehall Culture at Large155 cited
  • 2015‘First things first, I'm the realest’: Linguistic appropriation, white privilege, and the hip‐hop persona of Iggy Azalea93 cited
  • 2006The riddim method: aesthetics, practice, and ownership in Jamaican dancehall

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  • 2010COSMOPOLITANISM, REMEDIATION, AND THE GHOST WORLD OF BOLLYWOOD75 cited
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