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Beeswax-rosin mixtures in historical wet collection sealants: Qualitative analysis of their composition by DSC and ATR-FTIR spectroscopy
6 references·0 citing·21 second hop
Beeswax-rosin mixtures in historical wet collection sealants: Qualitative analysis of their composition by DSC and ATR-FTIR spectroscopy (2021)Beeswax-rosin mixtures in historical wet …Ageing of resin from Pinus species assessed by infrared spectroscopy (2016)Ageing of resin from Pinus sp…Towards a non-invasive quantitative analysis of the organic components in museum objects varnishes by vibrational spectroscopies: Methodological approach (2014)Towards a non-invasive quanti…Combined GC/MS Analytical Procedure for the Characterization of Glycerolipid, Waxy, Resinous, and Proteinaceous Materials in a Unique Paint Microsample (2006)Combined GC/MS Analytical Pro…Characterisation of beeswax in works of art by gas chromatography–mass spectrometry and pyrolysis–gas chromatography–mass spectrometry procedures (2004)Characterisation of beeswax i…Chemical Alteration and Use of Beeswax Through Time: Accelerated Ageing Tests and Analysis of Archaeological Samples from Various Environmental Contexts (2001)Chemical Alteration and Use o…The Organic Chemistry of Museum Objects (1988)The Organic Chemistry of Muse…Fuel for thought? Beeswax in lamps and conical cups from Late Minoan Crete (1997)Characterisation of wax works of art by gas chromatographic procedures (2005)Early evidence of San material culture represented by organic artifacts from Border Cave, South Africa (2012)Analytical Approaches Based on Gas Chromatography Mass Spectrometry (GC/MS) to Study Organic Materials in Artworks and Archaeological Objects (2016)The Organic Chemistry of Museum Objects (1987)Organic Mass Spectrometry in Art and Archaeology (2009)New perspectives in the non-invasive, in situ identification of painting materials: The advanced MWIR hyperspectral imaging (2017)Surface and Interface Treatments on Wooden Artefacts: Potentialities and Limits of a Non-Invasive Multi-Technique Study (2020)Classification of archaeological adhesives from Eastern Europe and Urals by ATR‐FT‐IR spectroscopy and chemometric analysis (2021)Analysis with micro-Raman spectroscopy of natural organic binding media and varnishes used in art (2000)Infrared Spectroscopy in Conservation Science (2000)A combination of analytical methods to evaluate the effect of humidity aging on the painting materials of icon models (2019)Exploring Manufacturing Process and Degradation Products of Gilt and Painted Leather (2019)Ochre-based compound adhesives at the Mousterian type-site document complex cognition and high investment (2024)FT-NIR spectroscopy for non-invasive identification of natural polymers and resins in easel paintings (2009)Border Cave and the beginning of the Later Stone Age in South Africa (2012)Proteins in Art, Archaeology, and Paleontology: From Detection to Identification (2015)Characterisation of organic residues in pottery vessels of the Roman age from Antinoe (Egypt) (2004)Investigating the history of prehistoric glues by gas chromatography–mass spectrometry (2004)Analysis of Aged Paint Binders by FTIR Spectroscopy (1990)Analytical characterization of polymers used in conservation and restoration by ATR-FTIR spectroscopy (2009)
this work references cited by second hop

References

  • 1988The Organic Chemistry of Museum Objects686 cited
  • 2001Chemical Alteration and Use of Beeswax Through Time: Accelerated Ageing Tests and Analysis of Archaeological Samples from Various Environmental Contexts283 cited
  • 2006Combined GC/MS Analytical Procedure for the Characterization of Glycerolipid, Waxy, Resinous, and Proteinaceous Materials in a Unique Paint Microsample199 cited
  • 2004Characterisation of beeswax in works of art by gas chromatography–mass spectrometry and pyrolysis–gas chromatography–mass spectrometry procedures125 cited
  • 2016Ageing of resin from Pinus species assessed by infrared spectroscopy60 cited
  • 2014Towards a non-invasive quantitative analysis of the organic components in museum objects varnishes by vibrational spectroscopies: Methodological approach35 cited

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