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Listening To Teachers’ Voices: Constructs On Music Performance Anxiety In Artistic Education
10 references·1 citing·49 second hop
Listening To Teachers’ Voices: Constructs On Music Performance Anxiety In Artistic Education (2021)Listening To Teachers’ Voices: Constructs…Piloting a New Model for Treating Music Performance Anxiety: Training a Singing Teacher to Use Acceptance and Commitment Coaching With a Student (2020)Piloting a New Model for Trea…Exploring music performance anxiety, self-efficacy, performance quality, and behavioural anxiety within a self-modelling intervention for young musicians (2020)Exploring music performance a…Music performance anxiety: Exploring structural relations with self-efficacy, boost, and self-rated performance (2017)Music performance anxiety: Ex…Music Performance (2016)Music PerformanceTreatment and prevention of music performance anxiety (2015)Treatment and prevention of m…Simulating and stimulating performance: introducing distributed simulation to enhance musical learning and performance (2014)Simulating and stimulating pe…Teaching stage fright? – Implications for music educators (2013)Teaching stage fright? – Impl…The Role of Negative Emotions in Performance Anxiety (2010)The Role of Negative Emotions…Self-efficacy and music performance (2006)Self-efficacy and music perfo…The Science and Psychology of Music Performance Creative Strategies for Teaching and Learning (2002)The Science and Psychology of…Impact of Music Style Vocal Training on Psychological Performance Among College Students at Shandong University of Arts, China (2024)Impact of Music Style Vocal T…The James-Lange Theory of Emotions: A Critical Examination and an Alternative Theory (1927)The dimensions of perfectionism (1990)Tripartite model of anxiety and depression: Psychometric evidence and taxonomic implications. (1991)The relationship between flow and music performance anxiety amongst professional classical orchestral musicians (2018)Characteristics of music performance anxiety among undergraduate music students: A systematic review (2022)Social Learning Theory. 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(1991)Clinical significance: A statistical approach to defining meaningful change in psychotherapy research. (1991)Acceptance and Commitment Therapy: Model, processes and outcomes (2005)Music performance anxiety and pre-performance emotions in the light of psychology of emotion and emotion regulation (2020)Current Trends in Music Performance Anxiety Intervention (2023)Effects of Psychological Interventions on Performance Anxiety in Performing Artists and Athletes: A Systematic Review with Meta-Analysis (2023)Self-efficacy: Toward a unifying theory of behavioral change. (1977)Self-efficacy: Toward a unifying theory of behavioral change. (1977)A Guideline of Selecting and Reporting Intraclass Correlation Coefficients for Reliability Research (2016)Performance Preparation, Anxiety, and the Teacher. 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this work references cited by second hop

References

  • 2006Self-efficacy and music performance414 cited
  • 2002The Science and Psychology of Music Performance Creative Strategies for Teaching and Learning395 cited
  • 2014Simulating and stimulating performance: introducing distributed simulation to enhance musical learning and performance109 cited
  • 2015Treatment and prevention of music performance anxiety79 cited
  • 2013Teaching stage fright? – Implications for music educators72 cited
  • 2017Music performance anxiety: Exploring structural relations with self-efficacy, boost, and self-rated performance72 cited
  • 2010The Role of Negative Emotions in Performance Anxiety67 cited
  • 2020Exploring music performance anxiety, self-efficacy, performance quality, and behavioural anxiety within a self-modelling intervention for young musicians54 cited
  • 2020Piloting a New Model for Treating Music Performance Anxiety: Training a Singing Teacher to Use Acceptance and Commitment Coaching With a Student49 cited
  • 2016Music Performance8 cited

Cited by

  • 2024Impact of Music Style Vocal Training on Psychological Performance Among College Students at Shandong University of Arts, China2 cited

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