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Stereophonica
16 references·1 citing·22 second hop
Stereophonica (2021)StereophonicaExpulsions: brutality and complexity in the global economy (2014)Expulsions: brutality and com…Passages from the Life of a Philosopher (2011)Passages from the Life of a P…Sonic warfare: sound, affect, and the ecology of fear (2010)Sonic warfare: sound, affect,…Listening to Noise and Silence: Towards a Philosophy of Sound Art (2010)Listening to Noise and Silenc…Acoustic Territories: Sound Culture and Everyday Life (2010)Acoustic Territories: Sound C…Sound moves: iPod culture and urban experience (2008)Sound moves: iPod culture and…Spaces speak, are you listening?: experiencing aural architecture (2007)Spaces speak, are you listeni…Sonic experience a guide to everyday sounds (2006)Sonic experience a guide to e…Background Noise: Perspectives on Sound Art (2006)Background Noise: Perspective…The audible past: cultural origins of sound reproduction (2003)The audible past: cultural or…Dumbstruck: A Cultural History of Ventriloquism (2002)Dumbstruck: A Cultural Histor…Noise, water, meat: a history of sound in the arts (2000)Noise, water, meat: a history…The Lure of the Local: Senses of Place in a Multicentered Society (1999)The Lure of the Local: Senses…The Soundscape: Our Sonic Environment and the Tuning of the World (1993)The Soundscape: Our Sonic Env…Techniques of the observer: on vision and modernity in the nineteenth century (1991)Techniques of the observer: o…Six Years: The Dematerialization of the Art Object from 1966 to 1972 (1974)Six Years: The Dematerializat…The Subjective Perception of Music: Stanislav Vomela and Subjective Research in Psychophysiology in 1930s Czechoslovakia (2022)The Subjective Perception of …Sound Souvenirs : Audio Technologies, Memory and Cultural Practices (2009)Soundscapes: Toward a Sounded Anthropology (2010)Beyond Representation and Signification: Toward a Sonic Materialism (2011)Sound Studies Meets Deaf Studies (2012)Sound studies without auditory culture: a critique of the ontological turn (2015)Listening geographies (2016)A sonic geography of voice (2011)Five Spaces of Cultural Criminology (2012)Coming to our senses? A critical approach to sensory methodology (2009)Live Sociology: Social Research and its Futures (2012)Developments and key issues in tourism mobilities (2013)Surviving Images: Holocaust Photographs and the Work of Postmemory (2001)An anthropologist underwater: Immersive soundscapes, submarine cyborgs, and transductive ethnography (2007)The Quadruple Object (2011)Sense of Place and Place-Based Introductory Geoscience Teaching for American Indian and Alaska Native Undergraduates (2005)Reconsidering National Temporalities (2006)The Coffee Shop: Social and Physical factors Influencing Place Attachment (2006)The Decolonizing Generation: (Race and) Theory in Anthropology since the Eighties (2016)Africa’s new cities: The contested future of urbanisation (2017)New Urban Spaces (2019)Digital Material : Tracing New Media in Everyday Life and Technology (2009)Sound as affect: Difference, power and spatiality (2016)
this work references cited by second hop

References

  • 1991Techniques of the observer: on vision and modernity in the nineteenth century2,953 cited
  • 1993The Soundscape: Our Sonic Environment and the Tuning of the World2,494 cited
  • 2014Expulsions: brutality and complexity in the global economy1,164 cited
  • 2003The audible past: cultural origins of sound reproduction978 cited
  • 2010Sonic warfare: sound, affect, and the ecology of fear919 cited
  • 1999The Lure of the Local: Senses of Place in a Multicentered Society567 cited
  • 2007Spaces speak, are you listening?: experiencing aural architecture525 cited
  • 2008Sound moves: iPod culture and urban experience506 cited
  • 2010Acoustic Territories: Sound Culture and Everyday Life481 cited
  • 2006Background Noise: Perspectives on Sound Art432 cited
  • 1974Six Years: The Dematerialization of the Art Object from 1966 to 1972429 cited
  • 2011Passages from the Life of a Philosopher421 cited
  • 2000Noise, water, meat: a history of sound in the arts367 cited
  • 2002Dumbstruck: A Cultural History of Ventriloquism327 cited
  • 2006Sonic experience a guide to everyday sounds310 cited
  • 2010

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Listening to Noise and Silence: Towards a Philosophy of Sound Art
277 cited

Cited by

  • 2022The Subjective Perception of Music: Stanislav Vomela and Subjective Research in Psychophysiology in 1930s Czechoslovakia0 cited