SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
You Get to Know the Scene Inside Out, but the Cost of Travel is a Burden: The Impacts of Isolation and Peripherality on the Contemporary Music Scene of Perth, Western Australia
16 references·0 citing·51 second hop
You Get to Know the Scene Inside Out, but the Cost of Travel is a Burden: The Impacts of Isolation and Peripherality on the Contemporary Music Scene of Perth, Western Australia (2021)You Get to Know the Scene Inside Out, but…A state of constant prodding: live music, precarity and regulation (2018)A state of constant prodding:…Sound, Society and the Geography of Popular Music (2016)Sound, Society and the Geogra…Creative labour and graduate outcomes: implications for higher education and cultural policy (2015)Creative labour and graduate …Spatial scaling of regional strategic programmes in Finland: A qualitative study of clusters and innovation systems (2014)Spatial scaling of regional s…Creativity in Peripheral Places (2014)Creativity in Peripheral Plac…Creativity in peripheral places : redefining the creative industries (2014)Creativity in peripheral plac…Creative Clusters and District Economies: Towards a Taxonomy to Interpret the Phenomenon (2014)Creative Clusters and Distric…Independent creative subcultures and why they matter (2013)Independent creative subcultu…Bury me deep in isolation: A cultural examination of a peripheral music industry and scene (2013)Bury me deep in isolation: A …Preparing for portfolio careers in Australian music: Setting a research agenda (2012)Preparing for portfolio caree…The life cycle of New York’s creative districts: Reflections on the unanticipated consequences of unplanned cultural zones (2011)The life cycle of New York’s …Making Connections: creative industries networks in outer-suburban locations (2010)Making Connections: creative …Creativity without Borders? Rethinking remoteness and proximity (2010)Creativity without Borders? R…The difference of Perth music: A scene in cultural and historical context (2008)The difference of Perth music…Placing the Creative Economy: Scale, Politics, and the Material (2006)Placing the Creative Economy:…Systems of articulation, logics of change: Communities and scenes in popular music (1991)Systems of articulation, logi…Distinction: A Social Critique of the Judgement of Taste. (1985)The rise of the creative class: and how it's transforming work, leisure, community and everyday life (2002)City of the Spectacle: White Night Melbourne and the politics of public space (2015)Distinction: A Social Critique of the Judgement of Taste* (2018)Reconfiguring Familiar Worlds with Light Projection: The Gertrude Street Projection Festival, 2017 (2018)Resisting Redevelopment (2020)The Economic Implications of Learning by Doing (1962)The Economic Implications of Learning by Doing (1971)Transaction-Cost Economics: The Governance of Contractual Relations (1979)The impact of related variety on the creative employment growth (2017)Agglomeration of creative industries: An intra‐metropolitan analysis for Barcelona (2019)Mapping the state of the art of creative cluster research: a bibliometric and thematic analysis (2023)Cultural Industries and the Production of Culture (2004)From cultural to creative industries (2005)In the Social Factory? (2008)Indigenous geographies II (2012)The ‘actually existing’ cultural policy and culture-led strategies of rural places and small towns (2016)Cultural and creative work in rural and remote areas: an emerging international conversation (2020)The Rise of the Creative Class (2002)Struggling with the Creative Class (2005)The eventification of place: Urban development and experience consumption in Berlin and New York City (2012)A Sense of Displacement: Long‐time Residents' Feelings of Displacement in Gentrifying Bushwick, New York (2015)Social innovation and creativity in cities: A socially inclusive governance approach in two peripheral spaces of Barcelona (2015)Postmodernism, or, The cultural logic of late capitalism (1991)The Field of Cultural Production: Essays on Art and Literature (1996)Cities and the Creative Class (2005)Innovation in a creative production system: the case of design (2008)Social Justice and the Creative City: Class, Gender and Racial Inequalities (2012)Epistemic communities, localization and the dynamics of knowledge creation (2014)Risk Society, Towards a New Modernity (1994)Cool places, creative places? Community perceptions of cultural vitality in the suburbs (2012)Entrepreneurship in different contexts in cultural and creative industries (2016)The preferred location of coworking spaces in Italy: an empirical investigation in urban and peripheral areas (2021)Economics and Culture (2000)The Courage to Teach: Exploring the Inner Landscape of a Teacher’s Life (2000)The graduate attributes we’ve overlooked: enhancing graduate employability through career management skills (2009)Competency nomads, resilience and agency: music education (activism) in a time of neoliberalism (2019)Expanding Professionalism in Music and Higher Music Education (2021)Musikerne, bransjen og samfunnet (2022)On Justification (2006)Managing Identity: Identity Work, Personal Predicaments and Structural Circumstances (2007)The Sense of Dissonance (2009)The urgent need for career preview: Student expectations and graduate realities in music and dance (2014)Australian graduates’ work readiness – deficiencies, causes and potential solutions (2019)What actually works to enhance graduate employability? The relative value of curricular, co-curricular, and extra-curricular learning and paid work (2020)Club cultures: music, media and subcultural capital (1996)INDIE: THE INSTITUTIONAL POLITICS AND AESTHETICS OF A POPULAR MUSIC GENRE (1999)Subcultures, Scenes or Tribes? None of the Above (2005)Dark tourism, thanatourism, and dissonance in heritage tourism management: new directions in contemporary tourism research (2013)Tales from the Thousand Lakes: Placing the Creative Network of Metal Music in Finland (2014)Sonic geographies: Themes, concepts, and deaf spots (2018)
this work references cited by second hop

References

  • 1991Systems of articulation, logics of change: Communities and scenes in popular music893 cited
  • 2011The life cycle of New York’s creative districts: Reflections on the unanticipated consequences of unplanned cultural zones189 cited
  • 2006Placing the Creative Economy: Scale, Politics, and the Material134 cited
  • 2015Creative labour and graduate outcomes: implications for higher education and cultural policy112 cited
  • 2010Creativity without Borders? Rethinking remoteness and proximity81 cited
  • 2013Independent creative subcultures and why they matter78 cited
  • 2012Preparing for portfolio careers in Australian music: Setting a research agenda75 cited
  • 2010Making Connections: creative industries networks in outer-suburban locations74 cited
  • 2016Sound, Society and the Geography of Popular Music68 cited
  • 2014Creative Clusters and District Economies: Towards a Taxonomy to Interpret the Phenomenon44 cited
  • 2018A state of constant prodding: live music, precarity and regulation27 cited
  • 2014Creativity in peripheral places : redefining the creative industries24 cited
  • 2008The difference of Perth music: A scene in cultural and historical context23 cited
  • 2014Creativity in Peripheral Places20 cited
  • 2014

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

Spatial scaling of regional strategic programmes in Finland: A qualitative study of clusters and innovation systems
17 cited
  • 2013Bury me deep in isolation: A cultural examination of a peripheral music industry and scene17 cited
  • Cited by

    No citing works inside the corpus for this window.