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Abstract The signal works of poetry that prominently feature racialized Blackness in early Arabic literature (c. ad 500–1250) include works composed by authors of Afro-Arab heritage as well as by Arab authors who satirized and panegyrized Black subjects. These poets include the pre-Islamic author ʿAntarah ibn Shaddād and the ʿAbbasid-era figures al-Mutanabbī and Ibn al-Rūmī, and thus reflect the shift, across an extensive timeline, from a local, Bedouin poetics to a self-styled cosmopolitan, courtly aesthetic characterized as muḥdath, or modernist. The works are situated not only within the changing conventions of genre, but also within an arc that traces the emergence of new race concepts and racialized social institutions in the transition from the pre-Islamic era to Islam and from the early conquests to ʿAbbasid imperialization. Critical instances of these works’ intertextual movements demonstrate how racial logic accretes in various Arab-Muslim textual traditions, showing how poetry intersects with popular epic as well as high literary geographical, ethnological, and commentarial corpuses. As verse moves across a myriad of later literary forms, its context-specific representations of racial difference are recontextualized and received in ways that contribute to a broader transregional and transtemporal discourse of racialized Blackness.
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