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Hybridising the cultural identity of Mulan from a Chinese ballad to American films
16 references·0 citing·32 second hop
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References

  • 1981Culture's Consequences: International Differences in Work-Related Values20,532 cited
  • 2012The Location of Culture17,820 cited
  • 1983Culture's Consequences: International Differences in Work-Related Values.15,062 cited
  • 2001The Construction of the Self: A Developmental Perspective1,997 cited
  • 1999The construction of the self: a developmental perspective1,842 cited
  • 1976The Woman Warrior: Memoirs of a Girlhood Among Ghosts683 cited
  • 2000The Dynamic Nature of Cultural Identity Throughout Cultural Transitions: Why Home Is Not So Sweet437 cited
  • 2003Handbook of Cultural Geography300 cited
  • 2007Reconceptualizing Cultural Identity and Its Role in Intercultural Business Communication216 cited
  • 2009‘Enculturation’, not ‘acculturation’: Conceptualising and assessing identity processes in migrant communities210 cited
  • 2003Progress in Asian social psychology: conceptual and empirical contributions98 cited
  • 2005Globalization and hybridization in cultural products95 cited
  • 2011Popular Culture and Public Imaginary: Disney Vs. Chinese Stories of Mulan62 cited
  • 2017A ‘real’ fantasy: hybridity, Korean drama, and pop cosmopolitans53 cited
  • 2010Mulan's Legend and Legacy in China and the United States

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36 cited
  • 1977The Flowering Plum and The Palace Lady: Interpretations of Chinese Poetry36 cited
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