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What Makes Heavy Metal ‘Heavy’?
14 references·1 citing·32 second hop
What Makes Heavy Metal ‘Heavy’? (2021)What Makes Heavy Metal ‘Heavy’?Heaviness and the electric guitar: Considering the interaction between distortion and harmonic structures (2018)Heaviness and the electric gu…Rock as a Three-Value Tradition (2017)Rock as a Three-Value Traditi…Just So Stories: How Heavy Metal Got Its Name—A Cautionary Tale (2013)Just So Stories: How Heavy Me…Heavy Metal: The Music And Its Culture (2009)Heavy Metal: The Music And It…Extreme Metal: Music and Culture on the Edge (2006)Extreme Metal: Music and Cult…Wired for sound: engineering and technologies in sonic cultures (2005)Wired for sound: engineering …Chapter 5 Violence in Three Shades of Metal: Death, Doom and Black (2004)Chapter 5 Violence in Three S…Metal, Rock, and Jazz: Perception and the Phenomenology of Musical Experience (2003)Metal, Rock, and Jazz: Percep…Rhythm and Noise: An Aesthetics of Rock (1996)Rhythm and Noise: An Aestheti…Running with the devil: power, gender, and madness in heavy metal music (1993)Running with the devil: power…Prolegomena to Any Aesthetics of Rock Music (1993)Prolegomena to Any Aesthetics…On the Musically Beautiful: A Contribution Towards the Revision of the Aesthetics of Music (1987)On the Musically Beautiful: A…Categories of Art (1970)Categories of ArtAesthetic Concepts (1959)Aesthetic ConceptsThe Heaviest Metal (2024)The Heaviest MetalClassification as Culture: Types and Trajectories of Music Genres (2008)Text and Drugs and Rock 'n' Roll: The Beats and Rock Culture (2013)Heavy metal: Genre? Style? Subculture? (2016)The Absent Presence of Progressive Rock in the British Music Press, 1968-1974 (2019)Emotion and Meaning in Music (1961)Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)Sound Souvenirs : Audio Technologies, Memory and Cultural Practices (2009)Soundscapes: Toward a Sounded Anthropology (2010)The Theology of Sound: A Critique of Orality (2011)The Interpretation of Cultures (2017)Making Tracks: The Ontology of Rock Music (2006)Between silence and pain: loudness and the affective encounter (2015)Musical Rhythm in the Age of Digital Reproduction (2016)Music in Everyday Life (2000)Authenticity as authentication (2002)Nineteenth-Century Fortunes of Musical Formalism (2011)Beethoven 1806 (2019)Philosophy of Language (2020)Art and Intention (2005)Imagining Fact and Fiction (2008)THE VICE OF SNOBBERY: AESTHETIC KNOWLEDGE, JUSTIFICATION AND VIRTUE IN ART APPRECIATION (2009)What Is Sociological about Music? (2010)Dark tourism motivations: Simulation, emotional contagion and topographic comparison (2012)Slurring Perspectives (2013)Cognitive Penetration and Perception of Art (2014)The mechanism by which social media influencers persuade consumers: The role of consumers’ desire to mimic (2019)The Relevance of Husserl's Theory to Language Socialization (2009)On the Verge: Phenomenology and Empathic Unsettlement (2011)Researching the Senses as Knowledge (2015)‘Insider Research’ in the Study of Youth Cultures (2005)Punk’s Not Dead: The Continuing Significance of Punk Rock for an Older Generation of Fans (2006)The intimate insider: negotiating the ethics of friendship when doing insider research (2011)
this work references cited by second hop

References

  • 1993Running with the devil: power, gender, and madness in heavy metal music942 cited
  • 1970Categories of Art683 cited
  • 2006Extreme Metal: Music and Culture on the Edge465 cited
  • 2009Heavy Metal: The Music And Its Culture403 cited
  • 1996Rhythm and Noise: An Aesthetics of Rock395 cited
  • 1959Aesthetic Concepts366 cited
  • 1987On the Musically Beautiful: A Contribution Towards the Revision of the Aesthetics of Music212 cited
  • 2005Wired for sound: engineering and technologies in sonic cultures166 cited
  • 2003Metal, Rock, and Jazz: Perception and the Phenomenology of Musical Experience59 cited
  • 2013Just So Stories: How Heavy Metal Got Its Name—A Cautionary Tale43 cited
  • 2018Heaviness and the electric guitar: Considering the interaction between distortion and harmonic structures34 cited
  • 1993Prolegomena to Any Aesthetics of Rock Music33 cited
  • 2017Rock as a Three-Value Tradition32 cited
  • 2004Chapter 5 Violence in Three Shades of Metal: Death, Doom and Black28 cited

Cited by

  • 2024The Heaviest Metal3 cited

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