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FURTHER OBSERVATIONS ON STACKED CANON AND RENAISSANCE COMPOSITIONAL Procedure: Gascongne'sISTA EST SPECIOSAAND Forestier'sMISSA L'homme Arme
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FURTHER OBSERVATIONS ON STACKED CANON AND RENAISSANCE COMPOSITIONAL Procedure: Gascongne'sISTA EST SPECIOSAAND Forestier'sMISSA L'homme Arme (2001)FURTHER OBSERVATIONS ON STACKED CANON AND…Stacked Canon and Renaissance Compositional Procedure (1997)Stacked Canon and Renaissance…Symbolic Scores (1994)Symbolic ScoresSymbol and Ritual in Josquin's "Missa Di Dadi" (1989)Symbol and Ritual in Josquin'…Diatonicficta (1984)DiatonicfictaAspects of the ‘L'Homme armé’ Tradition (1973)Aspects of the ‘L'Homme armé’…"La Courone et fleur des chansons a troys": A Mirror of the French Chanson in Italy in the Years between Ottaviano Petrucci and Antonio Gardano (1973)"La Courone et fleur des chan…Imitation Canons on L'Homme Armé (1950)Imitation Canons on L'Homme A…A MUSIC BOOK FOR MARY TUDOR, QUEEN OF FRANCE (2016)A MUSIC BOOK FOR MARY TUDOR, …Great Books of the Western World (1952)The Earthly Paradise and the Renaissance Epic (1967)Lexikon der christlichen Ikonographie (1968)Painting and Experience in Fifteenth Century Italy (1969)Computing in musicology, 1966?91 (1991)Painting and Experience in Fifteenth Century Italy. (1996)The waning of the Middle Ages (1999)The Origins and Early History of L'homme armé (2003)The One Who Comes After Me (2013)Music in the Renaissance (1954)A Chronology of the Works of Guillaume Dufay Based on a Study of Mensural Practice (1966)The New Oxford History of Music (1969)The Relative Speed of Tempora in the Period of Dufay (1981)Rome as the centre of the universe: papal grace and music patronage (1992)Palestrina as Historicist: The Two L'homme armé Masses (1996)A guide to Western historical scripts from antiquity to 1600 (1990)The Cambridge History of the Book in Britain (1999)The Cambridge History of the Book in Britain (2009)Source Readings in Music History (1950)Discant, Counterpoint, and Harmony (1962)The New Grove Dictionary of Music and Musicians (1981)Counterpoint and Analysis in Fourteenth-Century Song (2000)Gendering the Semitone, Sexing the Leading Tone: Fourteenth-Century Music Theory and the Directed Progression (2006)Renaissance Polyphony (2020)Morley's rule for first-species canon (2006)"So you want to write a canon?" An historically-informed new approach for the modern theory class (2008)Approaching renaissance music using Taneyev's theories of movable counterpoint (2018)Musical Structure in the Second Shepherds' Play (1988)A Perfect Chord: Trinity in Music, Music in the Trinity (2013)Composing Community in Late Medieval Music (2019)
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References

  • 1984Diatonicficta41 cited
  • 1997Stacked Canon and Renaissance Compositional Procedure29 cited
  • 1994Symbolic Scores27 cited
  • 1973"La Courone et fleur des chansons a troys": A Mirror of the French Chanson in Italy in the Years between Ottaviano Petrucci and Antonio Gardano22 cited
  • 1989Symbol and Ritual in Josquin's "Missa Di Dadi"21 cited
  • 1973Aspects of the ‘L'Homme armé’ Tradition16 cited
  • 1950Imitation Canons on L'Homme Armé4 cited

Cited by

  • 2016A MUSIC BOOK FOR MARY TUDOR, QUEEN OF FRANCE2 cited

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