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Signifyin(g) Salvador: Professional Musicians and the Sound of Flexibility in Bahia, Brazil's Popular Music Scenes
16 references·1 citing·29 second hop
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References

  • 1972The archaeology of knowledge ; and, The discourse on language5,727 cited
  • 1997The Black Atlantic: Modernity and Double Consciousness.4,759 cited
  • 1995Black Noise: Rap Music and Black Culture in Contemporary America.1,444 cited
  • 1991Systems of articulation, logics of change: Communities and scenes in popular music893 cited
  • 1995Thinking in jazz: the infinite art of improvisation793 cited
  • 2001The racial state669 cited
  • 2010Music Genres and Corporate Cultures582 cited
  • 1993Black into White489 cited
  • 1998Racism in a racial democracy: the maintenance of white supremacy in Brazil473 cited
  • 1999Saying Something: Jazz Improvisation and Interaction382 cited
  • 2000Making Popular Music: Musicians, Creativity and Institutions382 cited
  • 2004Race music: black cultures from bebop to hip-hop378 cited
  • 1989Cut 'n' Mix: Culture, Identity and Caribbean Music343 cited
  • 2002Dreaming equality: color, race, and racism in urban Brazil339 cited
  • 1997The Power of Black Music: Interpreting its History from Africa to the United States.330 cited
  • 1995Rhythm, Rhyme, and Rhetoric in the Music of Public Enemy

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245 cited

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  • 2010Singing Together/Meaning Apart: Popular Music, Participation, and Cultural Politics in Salvador, Brazil3 cited