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Aria for Ethiopia: The Operatic Aesthetic of Pauline Hopkins’s Of One Blood
16 references·0 citing·30 second hop
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this work references cited by second hop

References

  • 1994Culture and Imperialism.6,527 cited
  • 1990Caribbean discourse: selected essays1,558 cited
  • 1993Cultivating Differences: Symbolic Boundaries and the Making of Inequality.1,196 cited
  • 1994Cultural Theory and Popular Culture: A Reader668 cited
  • 2007Bodies in dissent: spectacular performances of race and freedom, 1850-1910641 cited
  • 1989Reconstructing Womanhood: The Emergence of the Afro-American Woman Novelist626 cited
  • 1985Conjuring : black women, fiction, and literary tradition404 cited
  • 1995Domestic Allegories of Political Desire: The Black Heroine's Text at the Turn of the Century.154 cited
  • 1995Love and Theft: Blackface Minstrelsy and the American Working Class.149 cited
  • 1999Caribbean Creolization: Reflections on the Cultural Dynamics of Language, Literature, and Identity135 cited
  • 1998U.S. orientalisms: race, nation, and gender in literature, 1790-1890103 cited
  • 1983Biographical Dictionary of Afro-American and African Musicians70 cited
  • 2009Changing the Score: Arias, Prima Donnas, and the Authority of Performance49 cited
  • 1993Is Aida an orientalist opera?49 cited
  • 1998MEROE AND THE SUDANIC KINGDOMS41 cited

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  • 1988New York Operagoing, 1825-50: Creating an Elite Social Ritual37 cited
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