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Female Communities, 1600-1800: Literary Visions and Cultural Realities
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Female Communities, 1600-1800: Literary Visions and Cultural Realities (2000)Female Communities, 1600-1800: Literary V…Cavalier and she-majesty: the cultural politics of gender in Jane Cavendish’s poetry (2017)Cavalier and she-majesty: the…Memory, Monuments, and Melancholic Genius in Margaret Cavendish's Bell in Campo (2008)Memory, Monuments, and Melanc…Filling in the Picture: Contexts and Contacts of Jane Cavendish (2008)Filling in the Picture: Conte…The Indecorous Virtuoso: Margaret Cavendish's Experimental Spaces (2002)The Indecorous Virtuoso: Marg…Winstanley, women and the family (1999)Winstanley, women and the fam…"To Be Your Daughter in Your Pen": The Social Functions of Literature in the Writings of Lady Elizabeth Brackley and Lady Jane Cavendish (1988)Drama at the Courts of Queen Henrietta Maria (2006)Women and Dramatic Production 1550 - 1700 (2014)Visionary Women (1992):Women and Property in Early Modern England (1995)Visionary Women: Ecstatic Prophecy in Seventeenth-Century England (1995)“The Evill Masculine Powers”: Gender in the Thought of Gerrard Winstanley (2014)Criticism and compliment: the politics of literature in the England of Charles I (1988)Literature and the English Civil War (1991)Studies in English Literature 1500–1900 (2025)Leviathan and the Air-Pump: Hobbes, Boyle, and the Experimental Life (1987)The Production of Space (1992)The Poetics of Space: (2003)Ben Jonson’s Alchemist and Early Modern Laboratory Space (2008)From Drama to Science: Margaret Cavendish as Vanishing Mediator (2008)Oxford Dictionary of National Biography (2004)Royalist Women Writers, 1650-1689 (2004)Women, Poetry, and Politics in Seventeenth-Century Britain (2015)New modelled cavaliers (2017)
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  • 1999Winstanley, women and the family7 cited
  • 2002The Indecorous Virtuoso: Margaret Cavendish's Experimental Spaces5 cited
  • 2017Cavalier and she-majesty: the cultural politics of gender in Jane Cavendish’s poetry4 cited
  • 2008Filling in the Picture: Contexts and Contacts of Jane Cavendish2 cited
  • 2008Memory, Monuments, and Melancholic Genius in Margaret Cavendish's Bell in Campo2 cited

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