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Musical Pastiche, Embodiment, and Intersubjectivity: Listening in the Second Degree
16 references·0 citing·32 second hop
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this work references cited by second hop

References

  • 2000Music in Everyday Life2,710 cited
  • 2004The dialectic of enlightenment1,730 cited
  • 1997Palimpsests: Literature in the Second Degree1,554 cited
  • 1973The Pleasure of the Text1,140 cited
  • 2005Intimations of Post-Modernity1,119 cited
  • 1979Languages of Art: An Approach to a Theory of Symbols.1,049 cited
  • 1912Laughter; An Essay on the Meaning of the Comic815 cited
  • 1996Love and Theft: Blackface Minstrelsy and the American Working Class.803 cited
  • 2001Copyrights and Copywrongs: The Rise of Intellectual Property and How it Threatens Creativity657 cited
  • 1990Studying Popular Music606 cited
  • 1970Languages of Art, an Approach to a Theory of Symbols538 cited
  • 1993The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music527 cited
  • 1968Dictionary of Jamaican English508 cited
  • 1978In the Shadow of the Silent Majorities428 cited
  • 1996Rhythm and Noise: An Aesthetics of Rock395 cited
  • 2017Music and Identity354 cited

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