SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
The Zombie In/as the Text: Zora Neale Hurston's Tell My Horse
15 references·0 citing·33 second hop
The Zombie In/as the Text: Zora Neale Hurston's Tell My Horse (2005)The Zombie In/as the Text: Zora Neale Hur…On Ethnographic Allegory (2020)On Ethnographic AllegoryWomen of the Harlem Renaissance (2009)Women of the Harlem Renaissan…Possessing the Self: Caribbean Identities in Zora Neale Hurston's Tell My Horse (2000)Possessing the Self: Caribbea…Hitting a straight lick with a crooked stick: race and gender in the work of Zora Neale Hurston (2000)Hitting a straight lick with …Critical essays on Zora Neale Hurston (1999)Critical essays on Zora Neale…The vulnerable observer: anthropology that breaks your heart (1997)The vulnerable observer: anth…Picturing Ourselves: Photography and Autobiography (1997)Picturing Ourselves: Photogra…Every tub must sit on its own bottom: the philosophy and politics of Zora Neale Hurston (1996)Every tub must sit on its own…Fictions Of Feminist Ethnography (1994)Fictions Of Feminist Ethnogra…The Problem of Invisibility: Voodoo and Zora Neale Hurston (1993)The Problem of Invisibility: …The Politics of Ethnographic Authority: Race and Writing in the Ethnography of Margaret Mead and Zora Neale Hurston (1990)The Politics of Ethnographic …The Magic Island (1989)The Magic IslandThe Signifying Monkey: A Theory of African-American Literary Criticism (1988)The Signifying Monkey: A Theo…Specifying: Black Women Writing the American Experience. (1988)Specifying: Black Women Writi…When Horses Talk: Reflections on Zora Neale Hurston's Haitian Anthropology (1982)When Horses Talk: Reflections…Patterns of Culture (1936)Tuhami, portrait of a Moroccan (1980)On Ethnographic Authority (1983)Transformation of self in tourism (1991)Beyond “Culture”: Space, Identity, and the Politics of Difference (1992)Qualitative methods for health research (2009)Multicultural Education: Historical Development, Dimensions, and Practice (1993)The Canon Debate, Knowledge Construction, and Multicultural Education (1993)The Place of World Englishes in Composition: Pluralization Continued (2006)The ethnobiology of the Haitian zombi (1983)Negotiating Dangerous Fields: Pragmatic Strategies for Fieldwork amid Violence and Terror (2002)Slaves, Cannibals, and Infected Hyper-Whites: The Race and Religion of Zombies (2012)"Unruly and Let Loose": Myth, Ideology, and Gender in Song of Solomon (1990)"He Can Read My Writing but He sho’ Can’t Read My Mind": Zora Neale Hurston’s Revenge in Mules and Men (1999)Wild blessings: the poetry of Lucille Clifton (2005)Performing Autoethnography: An Embodied Methodological Praxis (2001)Situational Analyses: Grounded Theory Mapping After the Postmodern Turn (2003)Doing sensitive research: what challenges do qualitative researchers face? (2007)Collaborative Ethnography and Public Anthropology (2005)Geographies of Care and Responsibility (2007)Conceptualizing from the Inside: Advantages, Complications, and Demands on Insider Positionality (2015)W. G. Sebald - Image, Archive, Modernity (2007)Imaginary Encounters: Walter Benjamin and the Aura of Photography (2008)A pedagogical tale from the piano studio: autoethnography in early childhood music education research (2014)Multiple Mediations in Zora Neale Hurston's Mules and Men (1993)Validity and Self-Reflexivity Meet Poststructuralism: Scientific Ethos and the Transgressive Self (1995)Migrant Labor, Folklore, and Resistance in Hurston's Polk County: Reframing Mules and Men (1999)A Tale of Three Zoras: Barbara Johnson and Black Women Writers (2004)The Cambridge History of the American Novel (2011)Black Feminist Literacies: Ungendering, Flesh, and Post-Spillers Epistemologies of Embodied and Emotional Justice (2017)"Rebirth of a Nation": Hurston in Haiti (2004)"Calypso Magnolia": The Caribbean Side of the South (2005)Modernity on a Global Stage: Hurston's Alternative Modernism (2005)
this work references cited by second hop

References

  • 1988The Signifying Monkey: A Theory of African-American Literary Criticism3,044 cited
  • 1997The vulnerable observer: anthropology that breaks your heart1,877 cited
  • 1994Fictions Of Feminist Ethnography1,273 cited
  • 2020On Ethnographic Allegory307 cited
  • 1988Specifying: Black Women Writing the American Experience.109 cited
  • 1997Picturing Ourselves: Photography and Autobiography104 cited
  • 2009Women of the Harlem Renaissance102 cited
  • 1989The Magic Island77 cited
  • 1990The Politics of Ethnographic Authority: Race and Writing in the Ethnography of Margaret Mead and Zora Neale Hurston67 cited
  • 2000Possessing the Self: Caribbean Identities in Zora Neale Hurston's Tell My Horse46 cited
  • 1996Every tub must sit on its own bottom: the philosophy and politics of Zora Neale Hurston43 cited
  • 2000Hitting a straight lick with a crooked stick: race and gender in the work of Zora Neale Hurston43 cited
  • 1999Critical essays on Zora Neale Hurston32 cited
  • 1982When Horses Talk: Reflections on Zora Neale Hurston's Haitian Anthropology20 cited
  • 1993The Problem of Invisibility: Voodoo and Zora Neale Hurston19 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

Cited by

No citing works inside the corpus for this window.