The Machine in the Garden Revisited

Deborah Ann Bright

20 citations0/0 files storedArt Journal

No readable copy stored yet — this record is metadata only.

No open-access location is known for this record yet.

Literature note Cite in a project Citation map

Photographic and Visual Arts Visual Culture and Art Theory Photography and Visual Culture

Abstract

From its earliest appearance in the United States in 1839 as the Daguerrean “magic mirror,” photography has occupied a privileged position in our public discourses on nature. Its material chemistry and apparatus were felt by many to guarantee sufficiently the medium's authority as scientific truth, while its expressive potential (in the hands of artists) assured its prestige in the symbolic realm.

Paper brief

Loading…

Cite this work

Citation unavailable for this work.

BibTeX RIS CSL-JSON

No public copy is stored for this record, so only the metadata is cited.

Citations in this library

Citation map →

Stored only when both papers are in the corpus — 20 citations exist upstream.

References

1991Postmodernism, or, The cultural logic of late capitalism

Cited by

2013Making the market place: a topography of Borough Market, London 2012L’art écologique : une forme de médiation des sciences de la conservation ?2018Geographies of landscape: Representation, power and meaning 2008Dispatches from the Depletion Zone: Edward Burtynsky and the Documentary Sublime 2013Tseng Kwong Chi and the Eugenic Landscape 2015Eclipsing Aestheticism: Western Landscape Photography After Ansel Adams 2014Broken Light

Explore the map →

Papers that cite the same references — the relational fallback while embeddings are still backfilling.

Imported from OpenAlex (CC0) — nothing here is generated.