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THE GLOBAL BORDER: TRANSNATIONALISM AND CULTURAL HYBRIDISM IN ALEJANDRO MORALES'S "THE RAG DOLL PLAGUES"
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THE GLOBAL BORDER: TRANSNATIONALISM AND CULTURAL HYBRIDISM IN ALEJANDRO MORALES'S "THE RAG DOLL PLAGUES" (2016)THE GLOBAL BORDER: TRANSNATIONALISM AND C…Borderlands/La Frontera: The New Mestiza (2017)Borderlands/La Frontera: The …The Black Atlantic: Modernity and Double Consciousness. (1997)The Black Atlantic: Modernity…Kafka: Toward a Minor Literature (1986)Kafka: Toward a Minor Literat…La Carreta Made a U-Turn (1981)La Carreta Made a U-TurnPierre Ménard, autor del Quijote (1944)Pierre Ménard, autor del Quij…Beyond “Culture”: Space, Identity, and the Politics of Difference (1992)Intersectionality and research in psychology. (2009)Methodology of the Oppressed (2010)Methodological nationalism and beyond: nation–state building, migration and the social sciences (2002)Editorial: Mobilities, Immobilities and Moorings (2006)The New Mobilities Paradigm (2006)Other Latino Poetic Method (2001)Textos y Contra-Textos en “El jardín de senderos que se bifurcan” (1977)Chapter 8 Copies of Artworks: The Case of Paintings and Prints (2006)Repeticiones y revisiones: el remake en la fotografía construida (2013)Nonhuman Charisma (2007)Assemblage and geography (2011)
this work references cited by second hop

References

  • 2017Borderlands/La Frontera: The New Mestiza10,735 cited
  • 1997The Black Atlantic: Modernity and Double Consciousness.4,759 cited
  • 1986Kafka: Toward a Minor Literature2,542 cited
  • 1944Pierre Ménard, autor del Quijote157 cited
  • 1981La Carreta Made a U-Turn19 cited

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