Jerzy Skolimowski: The Cinema of a Nonconformist

Ewa Hanna Mazierska

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Cinema History and Criticism Ethics, Aesthetics, and Art Literature, Film, and Journalism Analysis

Abstract

List of Illustrations Acknowledgements Introduction: Outsider, Nonconformist, a Man In-between Chapter 1. From Participant to Observer: Autobiographical Discourse in the Films of Jerzy Skolimowski Chapter 2. About a Boy: Characters, Narratives and Ideologies in Skolimowski's Films Chapter 3. Between Realism and Non-realism: The Artistic Context of Skolimowski's Films and their Main Visual Motifs Chapter 4. In the Land of Hamlets and Don Quixotes: Skolimowski's Encounters with Literature Chapter 5. 'I Don't Like Obvious Film Scores': Music and Other Sounds in Skolimowski's Films Conclusions Biographical Note Filmography Bibliography Index

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2012International Co‐productions as Productions of Heterotopias 2013On the frontier of politics: Ideology and the western in Jerzy Skolimowski'sEssential Killingand Jim Jarmusch'sDead Man

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