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From recording performances to performing recordings. Recording technology and shifting ideologies of authorship in popular music.
9 references·0 citing·29 second hop
From recording performances to performing recordings. Recording technology and shifting ideologies of authorship in popular music. (2010)From recording performances to performing…Remix: making art and commerce thrive in the hybrid economy (2009)Remix: making art and commerc…Perfecting Sound Forever: An Aural History of Recorded Music (2009)Perfecting Sound Forever: An …Capturing sound: how technology has changed music (2005)Capturing sound: how technolo…Performing music in the age of recording (2004)Performing music in the age o…The Adoring Audience (2002)The Adoring AudienceAmerican Popular Music: From Minstrelsy to MTV (2002)American Popular Music: From …Repeated Takes: A Short History of Recording and its Effects on Music (1995)Repeated Takes: A Short Histo…"Is that me, Baby?" Image, Authenticity, and the Career of Bruce Springsteen (1994)"Is that me, Baby?" Image, Au…The complete Beatles recording sessions : the official story of the Abbey Road years (1988)The complete Beatles recordin…On Postmodernism and Articulation (1986)Putting the Pop Back into Postmodernism (1989)The assembly line of greatness: Celebrity in twentieth‐century America (1992)Jack White and the Music of the Past, Present, and Future (2014)Rediscovering the idols: K-pop idols behind the mask (2017)Born to Run : The Transmedia Evolution of the Bruce Springsteen Memoir from Book to Stage and Screen (2021)Working musicians: exploring the rhetorical ties between musical labour and leisure (2008)Dispatches from the Front: The Life and Writings of Ralph J. Gleason (2013)Rethinking Reich (2019)Organizing for Innovation in the Digitized World (2012)You are what you can access: Sharing and collaborative consumption online (2013)The sharing economy: Why people participate in collaborative consumption (2015)Sound Souvenirs : Audio Technologies, Memory and Cultural Practices (2009)The Cambridge Companion to Percussion (2016)Loving Music Till It Hurts (2019)A Sweet Lullaby for World Music (2000)The Production of Culture Perspective (2004)Soundscapes: Toward a Sounded Anthropology (2010)When materiality ‘bites back’: Digital music consumption practices in the age of dematerialization (2011)Beyond Unwanted Sound (2017)Anthropology and Mass Media (1993)CURRENT RESEARCH IN SOCIAL PSYCHOLOGY (1996)New Audiences, New Textualities (2003)Rethinking the Soundscape (2010)Hybrid spaces and hyphenated musicians: secondary students' musical engagement in a songwriting and technology course (2012)Analogue Nostalgia and the Aesthetics of Digital Remediation (2014)Paul McCartney and the creation of ‘Yesterday’: the systems model in operation (2006)Making Music, Finishing Music – An Inquiry Into the Music-Making Practice of Popular Electronic Music Students in the “Laptop-Era” (2020)Music Technology in Education – Channeling and Challenging Perspectives (2020)
this work references cited by second hop

References

  • 2009Remix: making art and commerce thrive in the hybrid economy1,301 cited
  • 2005Capturing sound: how technology has changed music835 cited
  • 1995Repeated Takes: A Short History of Recording and its Effects on Music433 cited
  • 2002The Adoring Audience366 cited
  • 2004Performing music in the age of recording292 cited
  • 2009Perfecting Sound Forever: An Aural History of Recorded Music86 cited
  • 2002American Popular Music: From Minstrelsy to MTV66 cited
  • 1988The complete Beatles recording sessions : the official story of the Abbey Road years54 cited
  • 1994"Is that me, Baby?" Image, Authenticity, and the Career of Bruce Springsteen16 cited

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