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Textile futures: fashion, design, and technology
0 references·15 citing·38 second hop
Textile futures: fashion, design, and technology (2011)Textile futures: fashion, design, and tec…UAE Abaya Fashion: From Cover to Prestige (and Social Liberalization) (2025)UAE Abaya Fashion: From Cover…Re-Shaping Innovations in the Contemporary Fashion Show: Emerging Aesthetics and the Rising International-Based Chinese Designer Collective (2022)Re-Shaping Innovations in the…(e)Textile New Materialities (2021)(e)Textile New MaterialitiesKeeping the Data within the Garment (2020)Keeping the Data within the G…Fractal Folds: The Posthuman Fashion of Iris van Herpen (2020)Fractal Folds: The Posthuman …Expressions of Traditional Textiles of India (2019)Expressions of Traditional Te…Empowering Textile Crafts Through the Internet of Things Technology (2019)Empowering Textile Crafts Thr…Traditionally Crafted Digital Interfaces (2018)Traditionally Crafted Digital…Technology and counterfeiting in the fashion industry: Friends or foes? (2018)Technology and counterfeiting…The Role of Human Factors in Surface Design (2017)The Role of Human Factors in …Designing (Inter)Active Costumes for Professional Stages (2017)Designing (Inter)Active Costu…Materializing Memory in Art and Popular Culture (2016)Materializing Memory in Art a…Rethinking textile fashion: New Materiality, Smart Products, and Upcycling (2014)Rethinking textile fashion: N…The Expressive Characteristics of the Padding in Contemporary Fashion (2013)The Expressive Characteristic…Smart Textiles and Wearable Technology (2013)Smart Textiles and Wearable T…The Second Sex (1949)Writing and Difference (1980)A Thousand Plateaus: Capitalism and Schizophrenia (1989)“Made in Canada”: Local production networks in the Canadian fashion industry (2017)Evaluating Barriers, Enablers and Opportunities for Closing the Loop through ‘Waste Upcycling’: A Systematic Literature Review (2020)Doing Ethnography (2008)Entangled (2010)Entangled: technology and the transformation of performance (2010)Designing Interactive Costumes (2017)Understanding Media: The Extensions of Man (1964)Phenomenology of Perception (1982)We have never been modern (1994)Shelf Lives: Nonhuman Agency and Seamus Heaney’s Vibrant Memory Objects (2017)The four faces of mass customization. (1998)Designing Pleasurable Products (2000)Designing for Situation Awareness: An Approach to User-Centered Design (2003)The Functional Approach to the Study of Attitudes (1960)Free Competition and the Optimal Amount of Fraud (1973)Why Do Consumers Buy Counterfeit Luxury Brands? (2009)A supplier evaluation model based on customer demand in blockchain tracing anti-counterfeiting platform project management (2020)Non‐deceptive counterfeit purchase behavior of luxury fashion products (2021)Digital Kaizen: An Approach to Digital Transformation (2022)Solar fashion: An embodied approach to wearable technology (2016)The diverse domains of quantified selves: self-tracking modes and dataveillance (2016)Ethical Implications of User Perceptions of Wearable Devices (2017)How We Became Posthuman (1999)Posthumanist Performativity: Toward an Understanding of How Matter Comes to Matter (2003)Making-with the environment through more-than-human design (2022)Autobiographical Design for Emotional Durability through Digital Transformable Fashion and Textiles (2023)Posthumanism (2023)Meeting the Universe Halfway (2007)Matters of care: Speculative ethics in more than human worlds (2018)The Double-Edge of Organizational Legitimation (1990)The Field of Cultural Production: Essays on Art and Literature (1996)Visual methodologies : an introduction to researching with visual materials (2012)Empirical study of Neo-Chinese fashion consumer behaviour from the perspectives of cultural identity and emotional self-regulation mechanism (2024)‘ Smart – not only intelligent!’ Co-creating priorities and design direction for ‘smart’ footwear to support independent ageing. (2019)The effectiveness of design practice for achieving sustainability and diffusing sustainable fashion (2023)
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Cited by

  • 2016Materializing Memory in Art and Popular Culture59 cited
  • 2018Technology and counterfeiting in the fashion industry: Friends or foes?47 cited
  • 2020Fractal Folds: The Posthuman Fashion of Iris van Herpen34 cited
  • 2013Smart Textiles and Wearable Technology18 cited
  • 2014Rethinking textile fashion: New Materiality, Smart Products, and Upcycling12 cited
  • 2017Designing (Inter)Active Costumes for Professional Stages8 cited
  • 2017The Role of Human Factors in Surface Design7 cited
  • 2020Keeping the Data within the Garment6 cited
  • 2022Re-Shaping Innovations in the Contemporary Fashion Show: Emerging Aesthetics and the Rising International-Based Chinese Designer Collective5 cited
  • 2021(e)Textile New Materialities3 cited
  • 2019Expressions of Traditional Textiles of India3 cited
  • 2018Traditionally Crafted Digital Interfaces3 cited
  • 2013The Expressive Characteristics of the Padding in Contemporary Fashion1 cited
  • 2019Empowering Textile Crafts Through the Internet of Things Technology1 cited
  • 2025UAE Abaya Fashion: From Cover to Prestige (and Social Liberalization)

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1 cited