Tamil Oratory and the Dravidian Aesthetic: Democratic Practice in South India

Bernard Bate

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South Asian Studies and Diaspora Indian and Buddhist Studies Arts and Performance Studies

Abstract

List of Figures and TablesPreface Acknowledgments A Note on Tamil WordsIntroductions 1. The Dravidian Proper 2. The King's Red Tongue 3. Walking Utopia4. On Life, Moonlight, and Jasmine 5. Bhakti and the Limits of Apotheosis 6. Kavitha's Love 7. Speech in the Kali Yugam Afterword: Dravidian NeoclassicismNotes Glossary References Index

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2018Sounds of Democracy: Performance, Protest, and Political Subjectivity 2013Where Is the Public Sphere?: Political Communications and the Morality of Disclosure in Rural Rajasthan 2021Protestant Textuality and the Tamil Modern: Political Oratory and the Social Imaginary in South Asia 2018On the Pragmatic Poetry of Pose: Gesture, Parallelism, Politics 2017Uncommon resemblance 2011Landscapes of Expression: Affective Encounters in South Indian Cinema 2020The Struggle for a Multilingual Future 2011Echoes of the teashop in a Tamil newspaper

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