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Closer
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  • 2011Of Meanings and Movements: Re-Languaging Embodiment in Dance Phenomenology and Cognition84 cited
  • 2018Practices of readiness40 cited
  • 2013Dance, Interactive Technology, and the Device Paradigm22 cited
  • 2009Dancing on the Grid: using e-Science tools to extend choreographic research21 cited
  • 2009Born digital; dance in the digital age20 cited
  • 2009Wearable performance19 cited
  • 2011Audience empathy19 cited
  • 2013Grains of Resonance: Affect, Pornography and Visual Sensation17 cited
  • 2020Telematic connections: sensing, feeling, being in space together16 cited
  • 2017“Do We Have LIFT-Off?” Social Media Marketing and Digital Performance at a British Arts Festival16 cited
  • 2025"It's Like Being On Stage": Conveying Dancers' Expressiveness Through A Haptic-Installed Contemporary Dance Performance15 cited
  • 2019Doing thinking: revisiting computing with artistic research and technofeminism15 cited
  • 2010Moveable worlds/Digital scenographies14 cited
  • 2011Between Life-World and Technical Systems: Dialectics in the Digital Locus12 cited
  • 2023‘It’s not just about technology!': Creativity as a driving force for nurturing the development of skills for digital performance

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11 cited
  • 2015Integrating emerging technologies in teaching Ugandan traditional dances in K‐12 schools in New York City10 cited