SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Film and politics in America: a social tradition
0 references·14 citing·46 second hop
Film and politics in America: a social tradition (1993)Film and politics in America: a social tr…Are They Ready for Their Close-Up? Civil Servants and Their Portrayal in Contemporary American Cinema (2016)Are They Ready for Their Clos…Government on the Silver Screen: Contemporary American Cinema's Depiction of Bureaucrats, Police Officers, and Soldiers (2013)Government on the Silver Scre…Trends in political television fiction in the UK: Themes, characters and narratives, 1965–2009 (2012)Trends in political televisio…The Un-Americans (2009)The Un-AmericansCarl Marzani and Union Films: Making Left-Wing Documentaries during the Cold War, 1946–53 (2009)Carl Marzani and Union Films:…In Capra's shadow: the life and career of screenwriter Robert Riskin (2007)In Capra's shadow: the life a…Audience reactions to Hollywood politics (2007)Audience reactions to Hollywo…American Anthropology in the Middle Decades: A View from Hollywood (2007)American Anthropology in the …Dark Limbo: Film Noir and the North American Borders (2006)Dark Limbo: Film Noir and the…Out of the Theaters and Into the Streets: A Coalition Model of the Political Impact of Documentary Film and Video (2004)Out of the Theaters and Into …Moses in America (2002)Moses in AmericaPopular Culture as Political Communication an Introduction (2000)Popular Culture as Political …"What's the Matter with Capra?": Sullivan's Travels and the Popular Front (2000)"What's the Matter with Capra…The Faces in Lonesome's Crowd: Imaging the Mass Audience in A Face in the Crowd (1999)The Faces in Lonesome's Crowd…Documentary: A History of the Non-Fiction Film (1974)Documentary: A History of the Non-Fiction Film (1975)The cultural front: the laboring of American culture in the twentieth century (1997)"The Whole World Is Watching": Mass Media in the Making and Unmaking of the New Left (1981)Framing: Toward Clarification of a Fractured Paradigm (1993)When is Fiction as Good as Fact? Comparing the Influence of Documentary and Historical Reenactment Films on Engagement, Affect, Issue Interest, and Learning (2009)Rethinking the Public Sphere: A Contribution to the Critique of Actually Existing Democracy (2014)Social business in online financing: Crowdfunding narratives of independent documentary producers in Turkey (2014)Political Communication (2023)Watching Dallas: Soap Opera and the Melodramatic Imagination (1985)Entertaining the Citizen: When Politics and Popular Culture Converge (2004)Entertaining the Citizen: When Politics and Popular Culture Converge (2006)Popular Culture and Political Communication (2012)Politics in Fictional Entertainment: An Empirical Classification of Movies and TV Series (2015)Web Series, YouTube, and Politics: Affective and Emotional Dimensions of WIGS Lauren’s User Comments (2019)The Human Problems of an Industrial Civilization (1934)Culture, a critical review of concepts and definitions (1952)Reinventing Anthropology (1974)Historical contexts, internal debates, and ethical practice (2016)Philosophy in a New Key. A Study in the Symbolism of Reason, Rite, and Art. (1944)Regeneration Through Violence: The Mythology of the American Frontier, 1600-1860 (1974)The Man in the Gray Flannel Suitin the executive suite (2008)Real Folks (2011)Real folks: race and genre in the Great Depression (2012)Dialectic of Enlightenment (2020)The Presentation of Self in Everyday Life. (1956)Transformations of Public and Private Knowledge: Audience Reception, Feminism and the Experience of Childhood Sexual Abuse (2001)MOBI JOURNALISM IN SLOVENIA (2008)Amusing Ourselves to Death: Public Discourse in the Age of Show Business (2010)Introduction: The Reactionary in the Fan and the Fan in the Reactionary (2019)One-Dimensional Man: Studies in the Ideology of Advanced Industrial Society (2021)The Forest of Symbols: Aspects of Ndembu Ritual (1970)Narrative, Apparatus, Ideology: A Film Theory Reader (1986)The Cultural Front: The Laboring of American Culture in the Twentieth Century (1997)How To Do Things With Words (1975)Discourse and Social Psychology: Beyond Attitudes and Behaviour (1987)Qualitative Data Analysis (2008)Reality TV as a trigger of everyday political talk in the net-based public sphere (2011)Online Civic Cultures: Debating Climate Change Activism on YouTube (2013)Communication Practices and Political Engagement with Climate Change: A Research Agenda (2016)Why people don't trust government (1998)The case for bureaucracy : a public administration polemic (2004)Entertainment industry economics: a guide for financial analysis (2007)Lenin and Philosophy and Other Essays (1971)The Practice of Everyday Life (1988)No Future: Queer Theory and the Death Drive (2004)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2004Out of the Theaters and Into the Streets: A Coalition Model of the Political Impact of Documentary Film and Video106 cited
  • 2007Audience reactions to Hollywood politics77 cited
  • 2012Trends in political television fiction in the UK: Themes, characters and narratives, 1965–200936 cited
  • 2009The Un-Americans36 cited
  • 2007American Anthropology in the Middle Decades: A View from Hollywood33 cited
  • 2000"What's the Matter with Capra?": Sullivan's Travels and the Popular Front32 cited
  • 2000Popular Culture as Political Communication an Introduction26 cited
  • 2009Carl Marzani and Union Films: Making Left-Wing Documentaries during the Cold War, 1946–5325 cited
  • 2006Dark Limbo: Film Noir and the North American Borders15 cited
  • 2013Government on the Silver Screen: Contemporary American Cinema's Depiction of Bureaucrats, Police Officers, and Soldiers15 cited
  • 2016Are They Ready for Their Close-Up? Civil Servants and Their Portrayal in Contemporary American Cinema14 cited
  • 2007In Capra's shadow: the life and career of screenwriter Robert Riskin11 cited
  • 1999The Faces in Lonesome's Crowd: Imaging the Mass Audience in A Face in the Crowd9 cited
  • 2002Moses in America

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

6 cited