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Cited by

• 2011The identification of synthetic organic pigments in modern paints and modern paintings using pyrolysis-gas chromatography–mass spectrometry76 cited
• 2012Contribution to the identification of α‐, β‐ and ε‐copper phthalocyanine blue pigments in modern artists' paints by X‐ray powder diffraction, attenuated total reflectance micro‐fourier transform infrared spectroscopy and micro‐Raman spectroscopy68 cited
• 2014Modern Oil Paints – Formulations, Organic Additives and Degradation: Some Case Studies68 cited
• 2014The use of waterborne paints in contemporary murals: Comparing the stability of vinyl, acrylic and styrene-acrylic formulations to outdoor weathering conditions66 cited
• 2014Py-GC/MS applied to the analysis of synthetic organic pigments: characterization and identification in paint samples65 cited
• 2011UV ageing studies: evaluation of lightfastness declarations of commercial acrylic paints64 cited
• 201320th century artists’ oil paints: The case of the Olii by Lucio Fontana63 cited
• 2014Acrylic emulsion paint films: The effect of solution pH, conductivity, and ionic strength on film swelling and surfactant removal59 cited
• 2015Novel application of liquid chromatography/mass spectrometry for the characterization of drying oils in art: Elucidation on the composition of original paint materials used by Edvard Munch (1863–1944)56 cited
• 2016Influence of phthalocyanine pigments on the photo-degradation of alkyd artists' paints under different conditions of artificial solar radiation50 cited
• 2018Pigment and Binder Concentrations in Modern Paint Samples Determined by IR and Raman Spectroscopy