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Cited by

• 2004Passing : Race, Identification, and Desire74 cited
• 2003The Poetics of National and Racial Identity in Nineteenth-Century American Literature72 cited
• 2006From the kitchen to the parlor : language and becoming in African American women's hair care72 cited
• 2002In/discernible bodies: the politics of passing in dominant and marginal media52 cited
• 2006“Oh, You Black Bottom!” Appropriation, Authenticity, and Opportunity in the Jazz Dance Teaching of 1920s New York38 cited
• 2001"Go there tuh know there": Zora Neale Hurston and the Chronotope of the Folk38 cited
• 2013“Where a Man is a Man”?: Ancestral Possibilities in Charles Chesnutt’s Paul Marchand, F.M.C.29 cited
• 2003Do I, Too, Sing America?: Vernacular Representations and Chang-rae Lee's Native Speaker27 cited
• 2007“Blackin' up is us Doin' White Folks Doin' Us”: Blackface Minstrelsy and Racial Performance in Contemporary American Fiction and Film26 cited
• 2002Making Up Race: Jessie Fauset, Nella Larsen, and the African American Cosmetics Industry26 cited
• 2013Gettin’Down Home With the Neelys: gastro-porn and televisual performances of gender, race, and sexuality26 cited
• 2010God's Black Revolutionary Mouth: James Baldwin's Black Radicalism24 cited
• 2011The African American Theatrical Body: Reception, Performance, and the Stage