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Review of Tricia Rose. 2008. The Hip Hop Wars: What We Talk About When We Talk About Hip Hop-And Why It Matters. New York: Basic/Civitas Books
4 references·16 citing·45 second hop
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this work references cited by second hop

References

  • 2005Can't Stop Won't Stop: A History of the Hip-Hop Generation1,151 cited
  • 2002The 'Hood Comes First: Race, Space, and Place in Rap and Hip-Hop595 cited
  • 1999Yo' Mama's Disfunktional! Fighting the Culture Wars in Urban America.348 cited
  • 2004That's the Joint!342 cited

Cited by

  • 2013For White Girls Only?: Postfeminism and the Politics of Inclusion236 cited
  • 2013Colonizing intersectionality: replicating racial hierarchy in feminist academic arguments125 cited
  • 2013The formation of ‘Hip-Hop Academicus’ – how American scholars talk about the academisation of hip-hop42 cited
  • 2010Dressed for success? The NBA's dress code, the workings of whiteness and corporate culture37 cited
  • 2010Not Another Remix: How Obama Became the First Hip-Hop President33 cited
  • 2010CREATIVE INDUSTRIES DEBATE31 cited
  • 2014Carnal teachings: raunch aesthetics as queer feminist pedagogies in Yo! Majesty's hip hop practice30 cited
  • 2017Rhetoric, Race, and Resentment: Whiteness and the New Days of Rage29 cited
  • 2014Conflicting Paradigms on Gender and Sexuality in Rap Music: A Systematic Review26 cited
  • 2015Geography of American rap: rap diffusion and rap centers24 cited
  • 2017

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

The cost of being “real”: black authenticity, colourism, and Billboard Rap Chart rankings
21 cited
  • 2011“Can't Tell Me Nothing”: Symbolic Violence, Education, and Kanye West16 cited
  • 2009Stepping your game up : technical innovation among young people of color in hip-hop15 cited
  • 2014Who said hip-hop was dead? The politics of hip-hop culture in Immortal Technique’s lyrics14 cited
  • 2013Beyond Keeping It Real: OutKast, the Funk Connection, and Afrofuturism10 cited
  • 2012From “Badman” to “Gangsta”: Double Consciousness and Authenticity, from African-American Folklore to Hip Hop10 cited