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Cloning terror: the war of images, 9/11 to the present
0 references·16 citing·37 second hop
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  • 2013Engaging the limits of visibility: Photography, security and surveillance47 cited
  • 2018The “Pepper-Spraying Cop” Icon and Its Internet Memes: Social Justice and Public Shaming Through Rhetorical Transformation in Digital Culture36 cited
  • 2015Toward A New Visual Culture Of The News34 cited
  • 2018The Influence-Network Model of the Photojournalistic Icon28 cited
  • 2017Art as a Political Witness24 cited
  • 2013Foresight, Hindsight and State Secrecy in the American West: The Geopolitical Aesthetics of Trevor Paglen24 cited
  • 2019Where Truth Lies23 cited
  • 2015“Cinematography of Devices”: Harun Farocki’s Eye/Machine Trilogy21 cited
  • 2016The Complex and Multifarious Expressions of Digital Art and Its Impact on Archives and Humanities19 cited
  • 2019An Ethics of (not) Showing: Citizen Witnessing, Journalism and Visualizations of a Terror Attack17 cited
  • 2014“A Quantity of Offensive Matter”15 cited
  • 2017FERAL BIOPOLITICS10 cited
  • 2021The visual politics and policy of Donald Trump10 cited
  • 2013Atrocity and Aporiae8 cited
  • 2015The Marikana Massacre: Seeing it All

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7 cited
  • 2018Sleep of Reason: critical reflections on performance arts-based research as psycho-social commentary in expressive arts therapy praxis2 cited