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Music and the ineffable
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  • 2018The Gay Divorce of Music and Dance: Choreomusicality and the Early Works of Cage-Cunningham38 cited
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  • 2005Wagner, Cinema, and Redemptive Glee19 cited
  • 2020Ludomusicology and the New Drastic16 cited
  • 2017Varieties of Musical Irony: From Mozart to Mahler13 cited
  • 2013Musical Ontology: A View through Improvisation11 cited
  • 2015Fauré and the Effable: Theatricality, Reflection, and Semiosis in the mélodies7 cited
  • 2013Temporality in Nineteenth-Century Russian Music and the Notion of Development6 cited
  • 2011Trauma and Recovery in Germaine Tailleferre’s Six chansons françaises (1929)4 cited
  • 2020Orchestral Tissue, Subordinate Arabesques, and Turning Inward in Maurice Ravel’sBoléro3 cited
  • 2014Music and Other Sign Systems3 cited

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  • 2014Improvising Themes of Abjection with Maggie Nicols3 cited