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Cited by

• 2006Henry Cowell and John Cage: Intersections and Influences, 1933–194148 cited
• 2012John Cage in Separate Togetherness with Jazz40 cited
• 2018The Gay Divorce of Music and Dance: Choreomusicality and the Early Works of Cage-Cunningham38 cited
• 2018Enigmas of the Third Space: Mingus and Varèse at Greenwich House, 195733 cited
• 2011Stille Musik—Wandelweiser and the Voices of Ontological Silence15 cited
• 2009Indeterminacy and Performance Practice in Cage’s "Variations"15 cited
• 2013John Cage and David Tudor: correspondence on interpretation and performance14 cited
• 2013Chamber music in alternative venues in the 21st-century U.S.: Investigating the effect of new venues on concert culture, programming and the business of classical music4 cited
• 2019John Cage'sSilent Pieceand the Japanese gardening technique ofshakkei: Formalizing Whittington's conjecture through conceptual graphs4 cited
• 2018Culturalization of the Economy and the Artistic Qualities of Contemporary Capitalism4 cited
• 2016Affect and the Musication of Language in John Cage's “Empty Words”3 cited
• 2014John Cage'sCartridge Music(1960): ‘A Galaxy Reconfigured’3 cited
• 2011Testing Art with a Live Studio Audience: John Cage at an Intersection of Popular Television and the Avant-Garde3 cited