SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Queering the Popular Pitch
0 references·16 citing·51 second hop
Queering the Popular Pitch (2013)Queering the Popular PitchMusic and misogyny: a content analysis of misogynistic, antifeminist forums (2020)Music and misogyny: a content…‘Press play for pride’: The cultural logics of LGBTQ-themed playlists on Spotify (2018)‘Press play for pride’: The c…Tracking Gendered Streams (2017)Tracking Gendered StreamsThis Charming Butch: The male pop idol, girl fans, and lesbian (in)visibility (2016)This Charming Butch: The male…The Cambridge Companion to the Singer-Songwriter (2016)The Cambridge Companion to th…Taking time between g-string changes to educate ourselves: Sinéad O’Connor, Miley Cyrus, and celebrity feminism (2016)Taking time between g-string …Emo Angst, Masochism, and Masculinity in Crisis (2013)Emo Angst, Masochism, and Mas…Claiming Queer Territory in the Study of Subcultures and Popular Music (2013)Claiming Queer Territory in t…Taking it in the ear: On musico-sexual synergies and the (queer) possibility that music is sex (2012)Taking it in the ear: On musi…Scenes and sexualities: Queerly reframing the music scenes perspective (2012)Scenes and sexualities: Queer…Playing it Queer: Popular Music, Identity and Queer World-making (2012)Playing it Queer: Popular Mus…Michael Jackson's Queer Musical Belongings (2012)Michael Jackson's Queer Music…Queering informal pedagogy: sexuality and popular music in school (2011)Queering informal pedagogy: s…"A Young Girls Dream": Examining the Barriers Facing Female Electric Guitarists (2011)"A Young Girls Dream": Examin…Queer Listening to Queer Vocal Timbres (2010)Queer Listening to Queer Voca…“Who Are You Calling ‘Lady’?”: Femininity, Sexuality, and Third-Wave Feminism (2008)“Who Are You Calling ‘Lady’?”…Visual Pleasure and Narrative Cinema (1975)A Thousand Plateaus: Capitalism and Schizophrenia (1989)Gender trouble: feminism and the subversion of identity (1990)Crossing Style Borders: New Inroads in Training Teachers of Singing (2019)The Cambridge Companion to Wagner's Der Ring des Nibelungen (2020)Rock Guitar Virtuosos (2023)1.7 THIS SEX WHICH IS NOT ONE (1977)Feminist Theory: From Margin to Center (1985)Black Feminist Thought: Knowledge, Consciousness, and the Politics of Empowerment. (1992)Cumbia in Mexico’s Northeastern Region (2013)The production of emancipatory feminist spaces in a post-socialist context: organization of Ladyfest in Romania (2017)Three Essays on the Theory of Sexuality (1905)The History of Sexuality (1976)Capital: A Critique of Political Economy (2020)‘Turn it down!’ she shrieked: gender, domestic space, and high fidelity, 1948–59 (1996)Making Technology Masculine : Men, Women, and Modern Machines in America, 1870-1945 (1999)Strumming a place of one's own: gender, independence and the East Asian pop-rock screen (2013)Why Have There Been No Great Women Artists? (2021)Performing sex: The representation of male and female musicians in three genres of music performance (2022)Discipline and Punish: The Birth of the Prison (1978)Discipline and Punish: The Birth of the Prison. (1996)Dark timbre: the aesthetics of tone colour in goth music (2017)Trans* Vocality: lived experience, singing bodies, and joyful politics (2018)Decentering Listening: Toward an Anti-Discriminatory Approach to Accent and Dialect Training for the Actor (2020)In a Queer Time and Place: Transgender Bodies, Subcultural Lives (2005)Queer Temporalities and the Significance of ‘Music Scene’ Participation in the Social Identities of Middle-aged Queers (2010)Sexing the Groove (2013)‘Bricolage’: reclaiming a conceptual tool (2014)‘My laptop is an extension of my memory and self’: Post-Internet identity, virtual intimacy and digital queering in online popular music (2017)Floorgasm: Queer(s), solidarity and resilience in punk (2017)Gender Trouble: Feminism and the Subversion of Identity (1991)Bodies that Matter: on the Discursive Limits of 'Sex' (1994)Bodies That Matter (2011)“Exciting” and “borderline offensive”: bloggers, binaries, and celebrity feminism (2017)Was Anastasia Victim of Partner Violence? Media Coverage of Femicide in Romania and Moldova (2020)How We Became Posthuman (1999)Undoing Gender (2004)Auditing GPT's Content Moderation Guardrails: Can ChatGPT Write Your Favorite TV Show? (2024)The ``Colonial Impulse" of Natural Language Processing: An Audit of Bengali Sentiment Analysis Tools and Their Identity-based Biases (2024)Sounding out the city: personal stereos and the management of everyday life (2001)Textual Analysis (2003)The twilight of equality?: neoliberalism, cultural politics, and the attack on democracy (2004)Identities and Intimacies on Social Media (2022)Compelled TikTok creators? The ambivalent affordances of the short video app for Filipino musicians (2023)The Mediation of Genre, Identity, and Difference in Contemporary (Popular) Music Streaming (2024)Backlash: The Undeclared War Against American Women (1991)Backlash: The Undeclared War Against American Women (1992)The Content Analysis Guidebook (2017)Digital Flows (2024)Musical attributes, cultural dimensions, social media: Insights for marketing music to consumers (2024)When Donald Trump Dropped the Bass: The Weaponization of Dubstep in Internet Trolling Strategies, 2011–2016 (2025)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2012Playing it Queer: Popular Music, Identity and Queer World-making52 cited
  • 2011"A Young Girls Dream": Examining the Barriers Facing Female Electric Guitarists48 cited
  • 2010Queer Listening to Queer Vocal Timbres42 cited
  • 2016The Cambridge Companion to the Singer-Songwriter39 cited
  • 2018‘Press play for pride’: The cultural logics of LGBTQ-themed playlists on Spotify36 cited
  • 2012Taking it in the ear: On musico-sexual synergies and the (queer) possibility that music is sex32 cited
  • 2017Tracking Gendered Streams30 cited
  • 2008“Who Are You Calling ‘Lady’?”: Femininity, Sexuality, and Third-Wave Feminism28 cited
  • 2020Music and misogyny: a content analysis of misogynistic, antifeminist forums26 cited
  • 2016Taking time between g-string changes to educate ourselves: Sinéad O’Connor, Miley Cyrus, and celebrity feminism25 cited
  • 2012Scenes and sexualities: Queerly reframing the music scenes perspective23 cited
  • 2012Michael Jackson's Queer Musical Belongings22 cited
  • 2013Emo Angst, Masochism, and Masculinity in Crisis21 cited
  • 2016This Charming Butch: The male pop idol, girl fans, and lesbian (in)visibility19 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

  • 2011Queering informal pedagogy: sexuality and popular music in school18 cited
  • 2013Claiming Queer Territory in the Study of Subcultures and Popular Music15 cited