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Progressive Rock Reconsidered
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  • 2005The Rebirth of Tragedy out of the Spirit of Hip Hop: A Cultural Sociology of Gangsta Rap Music38 cited
  • 2010A many-headed beast: progressive rock as European meta-genre31 cited
  • 2008Musical ambition, cultural accreditation and the nasty side of progressive rock28 cited
  • 2013History without royalty? Queen and the strata of the popular music canon24 cited
  • 2011What Makes Rock Music “Prog”? Fan Evaluation and the Struggle to Define Progressive Rock22 cited
  • 2019Retrospective Consecration Beyond the Mainstream: The Creation of a Progressive Rock Canon20 cited
  • 2012Rocking the Culture Industry/Performing Breakdown: Pink Floyd'sThe Walland the Termination of the Postwar Era19 cited
  • 2014Curating popular music: authority and history, aesthetics and technology17 cited
  • 2013Metal as a Gradual Process12 cited
  • 2003Popmusik in der Analyse9 cited
  • 2010The Influence of Japanese Composers on the Development of the Repertoire for the Saxophone and the Significance of the Fuzzy Bird Sonata by Takashi Yoshimatsu8 cited
  • 2009Rethinking metal aesthetics: complexity, authenticity, and audience in Meshuggah's «I» and «Catch Thirtythr33»8 cited
  • 2020Colloquy: Musicology and the Middlebrow6 cited
  • 2015

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Scale Systems and Large-Scale Form in the Music of Yes
6 cited
  • 2019The Absent Presence of Progressive Rock in the British Music Press, 1968-19746 cited
  • 2005Popular Music Analysis in American Music Theory5 cited