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Cited by

• 2005Drama, Theatre, and Identity in the American New Republic46 cited
• 2015Toussaint, Gabriel, and Three Finger’d Jack: “Courageous Chiefs” and the “Sacred Standard of Liberty” on the Atlantic Stage34 cited
• 2004A Much Maligned People: Jews on and off the Stage in the Early American Republic28 cited
• 2010Susanna Rowson’s Transatlantic Career27 cited
• 2012“Heaven defend us from such fathers”: Perez Morton and the Politics of Seduction15 cited
• 2005Tales of the Philadelphia Theatre:Ormond, national performance, and supranational identity14 cited
• 2017Transatlantic Contrafacta, Musical Formats, and the Creation of Political Culture in Revolutionary America14 cited
• 2014“Join with Heart and Soul and Voice”: Music, Harmony, and Politics in the Early American Republic9 cited
• 2006Making "an Excellent Die": Death, Mourning, and Patriotism in the Propaganda Plays of the American Revolution9 cited
• 2006Mrs. Warren’s Profession9 cited
• 2006The "Female Martinet": Mrs. Harper, Gender, and Civic Virtue on the Early Republican Stage5 cited
• 2009Atlantic Underclasses and Early American Theatre Culture3 cited
• 2011"O Dear, What Can the Matter Be?": The Urban Early Republic and the Politics of Popular Song in Benjamin Carr's Federal Overture3 cited